No two relationships are the same. They are incredibly complicated, and can be quite unpredictable. Fiona Doyle‘s Abigail examines this idea and places the relationship between a woman in her 20s and a man in his 40s under the microscope.
No two relationships are the same. They are incredibly complicated, and can be quite unpredictable. Fiona Doyle‘s Abigail examines this idea and places the relationship between a woman in her 20s and a man in his 40s under the microscope.
In 2015, refugees and migrants fled from various parts of the world including Syria, Afghanistan and Iraq to seek asylum in the EU. Titled ‘The Migrant Crisis’, this sad state of affairs dominated the headlines and continues to do so as 1000s of innocents lost their lives in the hopes of escaping hardship and began to open a younger generation’s eyes in the West as to the various atrocities taking place world wide. Brought to light in Tess Berry-Hart‘s Cargo, migration begins to unravel its complex nature.
“Something sincere that takes the audience somewhere” seems to be an obvious and foolproof way of approaching your work as a playwright. It also seems rather simple. I could not find, however, a more fitting description of Bea Roberts’s work than the one she uses in this statement about her writing.