Medical advancements are an incredible thing, the natural world holding many of the answers to our ailments. A pioneer in the field of medicine, Betty (Beatie Edney) has acquired the gift to heal, but in late 19th century England, the scientific realm aren’t ready to accept Betty’s gift. Something she’s determined to battle. A male doctor (Ali Cook) tasked with finding out the ‘truth’ regarding her abilities in Ali Cook’s ethereal mythological thriller The Pearl Comb.
The rugged, grey slabbed, aesthetic of the Cornish coast inspires, immediately drawing you into the film’s reality and wanting to find out more. Cook writes a down to Earth, hearty watch, intertwined with a compelling magical surrealism. Clara Paget’s mysterious yet haunting turn as the Mermaid who gifts Betty’s husband Lutey (Simon Armstrong) the ability to heal… but at a cost… the oppressive energy that lingers. Armstrong’s Lutey a devoted husband driven to support his wife’s ambitions no matter the cost.
The Pearl Comb is a richly crafted work, narration aiding to push the story forward, giving the film its storybook-type fantastical edge. Hazy imagery of palaces and ships further drawing the audience into this fantastical reality – a reality that Betty, Lutey and the Mermaid inhabit. A hypnotic scape that could very easily translate well as a feature film.
Review written by Lucy Basaba.
The Pearl and the Comb was shown at the TCL Chinese Theatre as part of this year’s HollyShorts Film Festival. To find out more about the film, visit here…
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