“I am the mother of the word” replied a voice immediately recognised by Alphonsine Mumureke, a 16 year old schoolgirl in attendance at Catholic boarding school Kibeho College – as that of the Virgin Mary. This however wouldn’t be the only encounter Alphonsine would have with her, the voice later going on to predict the Rwandan Genocide of 1994, resulting in the deaths of roughly 1 million people, a seventh of the overall population.

Courtesy of Manuel Harlan.

A beautifully intimate cry for help, User Not Found poses the question of the role technology plays within legacy and intimacy and touches on the dangerous impact that social media and isolation can have on mental health.

Having recently directed Ryan Trecartin’s The Re’Search and Eugène Labiche’s Trüffel Trüffel Trüffel at the Kammerspiele, Felix Rothenhäusler returns for his adaptation of Lars von Trier‘s apocalyptic film Melancholia (2011).

Courtesy Armin Smailovic

When between jobs and working in a pub one day, Richard Gadd never expected one kind action he made as a barman to lead to such an extensive series of events. Martha was this kooky enigma who appeared as initially harmless, but quickly became a huge problem, following Gadd everywhere – turning up at his gigs and house, attacking his girlfriend and harassing his friends.

Courtesy of Andrew Perry.

After Der Fall Meursault – Eine Gegendarstellung and The Assassin, Iranian director Amir Reza Koohestani returns to the Kammerspiele with his own version of the Scottish play.

Explorative but limited, Karaoke Play introduces interesting ideas of one’s own purpose, how we relate to others and what we deem as success, but fails to perceptively explore these ideas to the intriguing extent that is possible.

A show about trust, intimacy and vulnerability presented through an overtly playful and ironic questioning of performance and the relationship between audience and performer, I think.

Split into two sections, Beta Public X is a thought-provoking night of playfulness questioning of conventions of games performance.

“The old days are gone” – in today’s world of political and social upheaval this line can be applied almost anywhere in the world currently, but in war torn Syria the words of filmmaker Reem Karssli’s grandfather sound even more pertinent.