In three hours three extraordinary actors perform three acts. Ben Power’s magnificent adaptation of Stefano Massini’s epic novel follows the story of a family that made the one of the biggest impacts in America’s history. That same nation is still feeling the consequences of the brother’s actions today.
The National Health Service and Alan Bennett are two of Britain’s most loved treasures. Only last month did the NHS reach the grand age of 70 years, and it’s the celebration of ageing that frames Bennett’s new play at the Bridge theatre.
Damian Rebgetz, born in Darwin, Australia, has been a member of the Kammerspiele ensemble since 2015, playing such diverse roles as Yasha in The Cherry Orchard and das Fräulein in Mittelreich. With his background in classical music and music theatre, Rebgetz’s desire to present a lieder recital did not come as a surprise. Yet the material he had chosen was rather unusual.
Another daring and blood thirsty production put on at the Shakespeare’s Rose Theatre, as Richard III takes on a contemporary twist which will have you on the edge of your seats in anticipation. With the Duke of Gloucester killing everyone in sight, there is rarely a dull moment within the play with armies declaring war, devious plots beginning to unfurl and the sweet taste of revenge becoming ever so tempting.
Polish singer, actor and director Marta Górnicka began developing her concept of a new modern and tragic choir theatre at the Zbigniew Raszewski Theatre Institute in Warsaw. In 2010, Górnicka founded her “Choir of Women”and her first production This is the Chorus Speaking, which added a political dimension to her work, premiered in Warsaw the same year, followed by the award winning production Magnificat, which toured internationally.
Fake blood and papier-mache decapitated heads at the ready for this pop up theatre exclusive of one of Shakespeare’s most well known and goriest plays, Macbeth. Shakespeare’s Rose Theatre encapsulates the atmospheric openness present within that of The Globe in London, with its groundling style standing seats and tapestry painted stage ceiling, shimmering from the light of the open top roof. Actors voices echo around the space creating real drama, but even further drama when they launch themselves upon innocent audience members, unaware armed soldiers were using them as shelter from the nearby enemy.
Risking life and death for the opportunity of a new life in Kent might not seem all too appealing to many. But for the thousands of refugees escaping war torn countries it is a journey that they can only hope to achieve. The Jungle, newly transferred to the Playhouse Theatre from the Young Vic maps out the complexities of the European migrant crisis that led to upwards of 8,000 people living in squalor on a former landfill site.
Sting’s personable journey to stardom, and early years as a kid growing up during major industrial upheaval within his childhood community, are explored in this charming, yet hard hitting, piece of musical theatre. The Last Ship tells a story of financial instability, social turmoil and the question of local identity throughout ever growing change. The musical repertoire blends deep rooted traditional chanting with a Mumford and Sons folk friendly flavour, with impactful lyrics that set one on a patriotic singalong.
Facing the potential prospect of deportation to an environment once fled in the hope of achieving a better quality of life must be one of the most distressing experiences an individual could go through. To have your concept of ‘home’ shaken by the very land in which you were born in, a devastating reality for many; as is evident with the shocking revalations of the Windrush Scandal. The term ‘home’ although seemingly simple, a complex one. Tolu Agbelusi’s Ilè La Wá delves into this multifaceted term, drawing out underrepresented crucial conversations that currently echo within the macrocosm.