2019 witnessed the third Theatre & Technology Awards; an awards ceremony celebrating the achievements of theatre professionals in our digital age. Theatre Full Stop are now happy to announce the winners, highly commended and third place nominees of the evening.
The inaugural London Pub Theatre of the Year Awards took place at Lion and Unicorn Theatre in Kentish Town on Sunday 27 October. Eighteen pub theatres were in the running for the major title of LONDON PUB THEATRE OF THE YEAR 2019. Run by London Pub Theatres Magazine the event also includes two awards for personal achievement, and joint runners up to the London Pub Theatre of the Year Award; five awards in total.
After his rather unsuccessful venture Caspar Western Friedrich, director Philippe Quesne returns to the Münchner Kammerspiele with a pastoral set in a dystopian future. Humanity has finally succeeded in destroying itself. Only four scarecrows remain on a farm, archivists of the past who run their own radio station.
Courtesy of Martin Argyroglo.
Zinnie Harris’ Meet Me At Dawn was first performed at the Traverse Theatre in Scotland in 2017 and is now receiving its London première at the Arcola Theatre. The audience finds the two protagonists, Robyn played by Marianne Oldham and Helen played by Jessica Hardwick, marooned on a deserted beach.
Inspired by her bilingual upbringing and identity, Singer/Songwriter Samia Malik recalls the songs from Bollywood films and Urdu Ghazals (a traditional poetical form originating from various Southern Asian cultures) that have inspired her creative process for her upcoming album. A celebration of world music, Samia will perform a varied set, joined by guitarist Giuliano Modarelli, multi instrumentalist Sianed Jones on violin, keyboards and bass guitar and renowned tabla player Sukhdeep Dhanjal. Ahead of the tour, starting off at Rich Mix London on Sunday 27th October, Samia tells us more about what to expect!
In this production of The Wheel by Zinnie Harris, the audience is exposed to war in many forms. Sometimes, it feels like World War I, sometimes more contemporary wars are alluded to in this patchwork display of conflicts. The overall effect displaces the action from any one specific known war, making the story feel more universal and reflecting a more general sense of disaster.
Courtesy of Mihaela Bodlovic.
An aspect of humanity in which we all find ourselves having to deal with at some point or other is that of loss. How each of us deals with mortality is unique to our own personal experiences. How loss is dealt with and viewed upon is also determined by one’s cultural norms and practises – Gregory Maqoma’s Cion: Requiem of Ravel’s Bolero observing the role of a professional mourner – a role originating in Egypt , China, Mediterranean and Eastern cultures.
Timeless and troubling The Permanent Way is a damning diagnosis of a flawed system that undermines the individual’s voice. David Hare’s 2003 analysis of power and aftermath considers the individual experience in a system that puts financial success above all. Striking contrasts between those who suffer and those who make the problematic vindictive rules, Hare questions the status quo and poses the argument that perhaps it is not a broken system but a fully functioning and deeply exploitative structure.
Lungs is a “play about our time”; that is the byline many tabloids are going for to describe Duncan Macmillan‘s play even though it had its premiere in 2011. The big question nowadays for many in their twenties and thirties is whether they want to have children or not, given the current state of the world.
Hi all, something a little different to our usual content; if you have 5 minutes, could you please help to complete? All answers are greatly appreciated!
