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About
Reviews
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Videos + Podcasts
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Theatrefullstop - A world of Theatre at the click of a button
Home, Interviews

Jenny Hunt and Holly Darton talk about their show Radio Local – Nine Elms

Returning with their hyper local radio show Radio Local; creatives Jenny Hunt and Holly Darton stop off at Nine Elms to bring listeners a mixture of gameshows, song requests, news bulletins, interviews with influential residents and more – ‘celebrating the joys and necessity of local radio and community.’ Ahead of their Nine Elms visit, Jenny and Holly tell us more about the show!

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9th September 2020by Theatrefullstop
Home, Interviews

Artistic Director of Cap-a-Pie Brad McCormick talks about his latest show ‘Credit’ to be previewed online

An exploration of the Universal Credit System, Laura Lindow’s pertinent show Credit utilises research gathered by various organisations in Gateshead and Newcastle as well as the experiences of people on Universal Credit to start up a conversation and examine whether the system benefits those its meant to support. Initially programmed for April earlier on this year, Credit will be exclusively previewed online on Tuesday 16th September, followed by Q & As discussing this important topic further. Ahead of the streaming, Cap-a-Pie Theatre’s Artistic Director Brad McCormick tells us how he’s worked with Laura to develop the show, developing the show during this unpredictable time and the importance of the Q & A aspect of the preview.

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9th September 2020by Theatrefullstop
Home, Interviews

Founder & Producer of RUMAH Nur Khairiyah talks about their debut online Festival #RUMAHFest

Due to showcase new work earlier on in the year, RUMAH have adapted their festival into an online event – a mixture of spoken word, scratch performances and comedy skits highlighting Asian voices, advocating for much needed representation on our stages. Presenting #RUMAHFest Online, founder and producer Nur Khairiyah talks about how she’s adapted to the current climate as a theatre maker and freelancer, the importance of creating these types of platforms and spaces for artists and her hopes for the festival moving forward.

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7th September 2020by Theatrefullstop
Home, Reviews

C-o-n-t-a-c-t @ Monument (Site Specific) Review

Social distancing has now become a fixture of our ‘new normal’, an adaptation within theatre and wider society responding to the Covid pandemic. In a time where we’re all being made to keep our distance, human contact and interaction has become compromised – an aspect of humanity we would have taken for granted up until now. Reimagining C-o-n-t-a-c-t, a French production written by Eric Chantelauze and adapted into English by Quentin Bruno, Gabrielle Jourdain presents an experience considering the importance of connection and the importance of connecting and resolving emotional pain within oneself.

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5th September 2020by Theatrefullstop
Home, Interviews

App Developer & Augmented Reality Artist Donald Shek talks about adapting his outdoor site specific work ‘Augmented Chinatown 2.0’ available on the Apple Store and Google Play

Originally situated in Limehouse, the East End of London before the Second World War, Chinatown – now currently situated just off Shaftesbury Avenue since the 1970s in West Central London has continued its tradition of being an important cultural hub for the Chinese community as well as being an iconic fixture of the West End. Initially shown as part of Chinese Arts Now’s inaugural festival in 2019, Donald Shek’s Augmented Chinatown fused a real life tour with imaginative augmented reality structures – an inventive work exploring beyond the physical boundaries of Chinatown. Awarded a Digital Commission this year to develop his work, Donald tells us more about his updated Augmented Reality 2.0 – a virtual tour/audio drama available on Google Play and the Apple Store from 15th September.

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4th September 2020by Theatrefullstop
Home, Interviews

CEO & Artistic Director of Chinese Arts Now An-Ting Chang talks about their annual festival adapting to our digital age

For the last 15 years, Chinese Arts Now have been committed to presenting works focusing on contemporary Chinese perspectives. Recognising that there was a lack of shows presenting their narratives, CAN have established a network of partner organisations such as the Southbank Centre, Soho Theatre and the Young Vic amongst others who have supported the presenting of their work. Last year welcomed a new addition to CAN, the Chinese Arts Now Festival “dedicated to showcasing to the public performing arts that explore contemporary Chinese themes, perspectives and art forms. CAN Festival 2019 showcased a diverse range of art forms (music, drama, live art, dance, films, digital arts) with over 60 events across London“. Adapting to current theatre closures due to the Covid crisis, CAN are currently supporting artists with their ‘Digital Commissions’ initiative. CEO & Artistic Director of Chinese Arts Now An-Ting Chang tells us more about the festival and the commissions.

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3rd September 2020by Theatrefullstop

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  • RT @yellowearthuk: OPPORTUNITY: In response to the COVID-19 outbreak, we are partnering with @chineseartsnow to commission a new Digita…300 days ago
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  • Visual Artist Laura Spark talks about her creative captioning work for HERA Theatre’s show ‘We Ask These Questions of Everybody’
  • Composer, Musician and Artist Amble Skuse talks about her work on Hera Theatre’s show We Ask These Questions of Everybody
  • Game Producer Michelle Hudson talks about her debut online theatre, gaming and performance art show ‘Manimals’
  • Mental Health Resource Minderful talk about their pioneering approach supporting mental fitness
  • Co-Founders of Industry Minds Scarlett Maltman and Cathy Read talk about the mental health charity’s podcast, counselling and awards raising awareness of those offering mental health support within the arts

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  • “Lively up yourself and celebrate the story of Jamaica’s global superstar, as the electrifying new production, Get Up, Stand Up! The Bob Marley Musical, bursts into life from June 2021 at the Lyric Theatre, Shaftesbury Avenue. From the hills of rural Jamaica, armed only with his overwhelming talent and righteous beliefs, Bob Marley applied himself with resolute determination to achieve international acclaim for his prophetic musical message – a gospel of love and unity. With unlimited access to Marley’s platinum-selling catalogue of music, the multi award-winning team of Lee Hall (writer), Clint Dyer (director) and Arinzé Kene (playing Bob Marley)
  • “The Evening Standard (@evening.standard), London’s most iconic news brand, and TikTok (@tiktok) for short-form video content, announce today the launch of the Evening Standard Future Theatre Fund, created to support the next generation of theatre makers. Developed as a response to the devastating impact of COVID-19 on the UK’s arts landscape, the Evening Standard Future Theatre Fund will play a role in supporting a sector that makes a vital contribution to the social and cultural fabric of the nation. While the Evening Standard Theatre Awards, the oldest theatrical awards in the UK, are not taking place this year due to
  • Daniel Ward has been announced as the winner of the 51st George Devine Award (@royalcourttheatre) for his debut play The Canary and the Crow, picking up a prize of £15,000. Daniel comments - “To sum up what it means to win this award is so, so difficult. I am honoured, delighted, humbled and feel incredibly unworthy to have my name sit alongside the prestigious list of previous George Devine winners. I am thankful to everyone that has contributed to the creation of this piece, too numerous to mention, so please excuse me for not going into an expansive list. Please

 

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