Metric, Broken Social Scene and Stars add 14 new dates to ‘All the Feelings Tour’, Europe and UK leg announced with new Canada dates and Seattle show added
Longtime friends and acclaimed bands Metric, Broken Social Scene, and Stars announced the addition of 14 new dates to their highly anticipated All the Feelings Tour. The expanded routing now includes a stop in Seattle, WA at Chateau Ste. Michelle on June 25, followed by two Alberta dates in Calgaryand Edmonton on June 28 and 29. The tour will also head overseas with newly added shows across Europe and the UK, including Dublin, London, Manchester, Paris, Berlin, and more throughout September. The bands will then return home to Canada for performances in London and Ottawabefore wrapping the tour on Wednesday, October 7 in Laval, QC at Place Bell. Watch the new announcement video HERE.
Promoted by Live Nation, the 34-date tour kicks off on Monday, June 8 in Austin, TX at Moody Amphitheater, before making stops in Dallas, Denver, Phoenix, Bend, Chicago, Boston, and more ahead of the newly announced Europe, UK, and Canada dates.
The tour will also include performances at several iconic venues, including The Greek Theatre in Los Angeles, Brooklyn Paramount in Brooklyn, and Ryman Auditorium in Nashville. Due to demand, second shows were also added in San Francisco and Brooklyn following the initial onsale.
Metric recently announced their new album, Romanticize the Dive, arriving April 24 via Thirty Tigers, along with the release of the lead single, “Victim of Luck.” Fans can listen to the track HERE, with the official music video available HERE.
Broken Social Scene also recently unveiled their new album, Remember The Humans, out May 8 via Arts & Crafts. Pre-save the album HERE. The project is led by the first single, “Not Around Anymore,” featuring co-founder Kevin Drew reflecting on the loss of possibility in a rapidly changing world. Fans can listen to the track HERE, with the official music video available HERE.
Stars have a special SYOF live vinyl release, curated from their extensive and widely celebrated 20th Anniversary North American tour in 2024/25 and celebrating their pivotal, career album. The Set Yourself On Fire (Live) vinyl is now available HERE and via Bandcamp HERE.
EUROPE + UK TICKETS: Tickets will be available starting Tuesday, March 17 at 10am local time with artist presales, followed by a Mastercard presale on Wednesday, March 18(details below). Additional presales will run throughout the week ahead of the general onsale beginning on Friday, March 20 at 10am local time at LiveNation.co.uk
- Mastercard cardholders have special access to presale tickets in Paris. Mastercard Presale starts Wednesday, March 18 at 10am local. Plus, Preferred ticket access to some of the best tickets are available in France and the UK from Friday, March 20 at 10am local. Check out priceless.com/music for details.
THE ‘ALL THE FEELINGS TOUR’ 2026 DATES:
Mon Jun 8 – Austin, TX – Moody Amphitheater
Tue Jun 9 – Dallas, TX – South Side Ballroom
Thu Jun 11 – Denver, CO – Fillmore Auditorium
Sat Jun 13 – Sandy, UT – Sandy Amphitheater
Tue Jun 16 – Los Angeles, CA – The Greek Theatre
Thu Jun 18 – Phoenix, AZ – Arizona Financial Theatre
Fri Jun 19 – San Diego, CA – Cal Coast Credit Union Open Air Theatre
Sun Jun 21 – San Francisco, CA – The Masonic
Mon Jun 22 – San Francisco, CA – The Masonic
Wed Jun 24 – Bend, OR – Hayden Homes Amphitheater
Thu Jun 25 – Seattle, WA – Chateau Ste. Michelle – NEW DATE
Sun Jun 28 – Calgary, AB – South Alberta Jubilee Auditorium – NEW DATE
Mon Jun 29 – Edmonton, AB – Northern Alberta Jubilee Auditorium – NEW DATE
Fri Jul 24 – Chicago, IL – Byline Bank Aragon Ballroom
Sat Jul 25 – Detroit, MI – Fox Theatre
Mon Jul 27 – Boston, MA – MGM Music Hall at Fenway
Tue Jul 28 – Philadelphia, PA – The Met Philadelphia Presented by Highmark
Thu Jul 30 – Brooklyn, NY – Brooklyn Paramount
Fri Jul 31 – Brooklyn, NY – Brooklyn Paramount
Sat Aug 1 – Washington, DC – The Anthem
Mon Aug 3 – Atlanta, GA – Tabernacle
Tue Aug 4 – Nashville, TN – Ryman Auditorium
Fri Aug 7 – Toronto, ON – RBC Amphitheatre
Wed Sep 09 – Dublin, IE – 3 Olympia Theatre – NEW DATE
Fri Sep 11 – Glasgow, UK – O2 Academy Glasgow – NEW DATE
Sat Sep 12 – London, UK – O2 Academy Brixton – NEW DATE
Sun Sep 13 – Manchester, UK – Manchester Academy – NEW DATE
Tue Sep 15 – Paris, FR – Salle Pleyel – NEW DATE
Wed Sep 16 – Antwerp, BE – De Roma – NEW DATE
Thu Sep 17 – Utrecht, NL – TivoliVredenburg – NEW DATE
Sat Sep 19 – Berlin, DE – Columbiahalle – NEW DATE
Sat Oct 3 – London, ON – Canada Life Place – NEW DATE
Mon Oct 5 – Ottawa, ON – The Arena at TD Place – NEW DATE
Wed Oct 7 – Laval, QC – Place Bell – NEW DATEABOUT METRIC
Metric is Emily Haines (vocals, keys), Jimmy Shaw(producer, guitar, keys), Joshua Winstead (bass guitar, keys) and Joules Scott Key(drums). They have spent over 20 years together in creative partnership and are releasing their 10th studio album in 2026 maintaining the original lineup.. “The band has become Canadian indie-rock icons,” says Pitchfork. “Metric [has] their own increasingly rare success story.” The band resisted major label offers in favor of starting their own label and retaining control of their own material and career, and for the last two decades have found themselves on an unusual trajectory of increasing success while continuing to push their own artistic boundaries past conventional expectations.
Emily Haines and Jimmy Shaw are also early members of Broken Social Scene. While Metric has always been their first priority, they have both written and performed songs on all of the collective’s albums from 2002-2017 including such tracks as “Almost Crimes,” “Swimmers,” “Sweetest Kill,” “Sentimental X’s” and “Protest Song.” Emily’s most notable contribution to the group is the breakout hit “Anthems For a Seventeen Year-Old Girl,” from the award winning album You Forgot It In People. Haines has also collaborated with numerous other artists, most famously striking up a strong creative connection with the late Lou Reed, who performed “Wanderlust” on Metric’s album Synthetica and joined Metric on stage at their sold out headlining show at Radio City Music Hall in 2013 to perform “Wanderlust” and the Velvet Underground’s “Pale Blue Eyes.” Haines worked with Lou Reed on various additional live events overseen by the late producer Hal Willner as well as performing “Ballrooms of Mars” on Willner’s final tribute album, Angelheaded Hipster: The Songs Of Marc Bolan and T. Rex alongside U2, Nick Cave, Joan Jett, and others. Haines has released three solo studio albums, including the acclaimedKnives Don’t Have Your Back. Jimmy Shaw has also released a solo album and works as a sought after, JUNO award-winning producer
Metric have a long history of creating music for film, starting in 2004 with their appearance in Olivier Assayas’ Clean, acting and performing their song “Dead Disco.” In his Scott Pilgrim series, graphic novelist Bryan Lee O’Malley based his fictional band Clash at the Demon Head on his experience of live Metric performances, and director Edgar Wright used their song “Black Sheep” in his 2010 film adaptation Scott Pilgrim vs The World. Also in 2010, Metric contributed the theme song “Eclipse (All Yours)” to The Twilight Saga: Eclipse soundtrack which they co-wrote with Howard Shore. In 2012, they won a CSA (Canadian Screen Award) for their score of David Cronenberg’s Cosmopolis, also with Howard Shore. Metric songs have been featured in numerous feature films and television shows including Grey’s Anatomy, The L Word, Zombieland, Nikki Glaser’s HBO Special Good Clean Filth,the hit animated film Nimona, and popular Netflix shows Wayward and I Love LA in 2025.
Both Emily Haines and Jimmy Shaw grew up surrounded by art. Haines was born in New Delhi where her father, poet Paul Haines, was writing the lyrics for Carla Bley’s monumental Escalator Over the Hill and her activist/teacher mother Jo ran a household steeped in experimental art and discourse stemming from their years in the Greenwich Village scene in the early 1960s. Born in the UK and raised in Toronto, Jimmy Shaw spent the first half of his life immersed in classical music and was accepted at the age of fifteen to the Curtis Institute in Boston and later graduated from the Juilliard Music School in New York. Metric has been nominated for numerous Polaris Music Prize and JUNO Awards, including five wins. Metric has appeared on The Tonight Show, The Late Show with Stephen Colbert, Jimmy Kimmel Live! and Later…With Jools Holland and have toured extensively, playing headline shows and festivals around the world.
Mon Jun 8 – Austin, TX – Moody Amphitheater
Tue Jun 9 – Dallas, TX – South Side Ballroom
Thu Jun 11 – Denver, CO – Fillmore Auditorium
Sat Jun 13 – Sandy, UT – Sandy Amphitheater
Tue Jun 16 – Los Angeles, CA – The Greek Theatre
Thu Jun 18 – Phoenix, AZ – Arizona Financial Theatre
Fri Jun 19 – San Diego, CA – Cal Coast Credit Union Open Air Theatre
Sun Jun 21 – San Francisco, CA – The Masonic
Mon Jun 22 – San Francisco, CA – The Masonic
Wed Jun 24 – Bend, OR – Hayden Homes Amphitheater
Thu Jun 25 – Seattle, WA – Chateau Ste. Michelle – NEW DATE
Sun Jun 28 – Calgary, AB – South Alberta Jubilee Auditorium – NEW DATE
Mon Jun 29 – Edmonton, AB – Northern Alberta Jubilee Auditorium – NEW DATE
Fri Jul 24 – Chicago, IL – Byline Bank Aragon Ballroom
Sat Jul 25 – Detroit, MI – Fox Theatre
Mon Jul 27 – Boston, MA – MGM Music Hall at Fenway
Tue Jul 28 – Philadelphia, PA – The Met Philadelphia Presented by Highmark
Thu Jul 30 – Brooklyn, NY – Brooklyn Paramount
Fri Jul 31 – Brooklyn, NY – Brooklyn Paramount
Sat Aug 1 – Washington, DC – The Anthem
Mon Aug 3 – Atlanta, GA – Tabernacle
Tue Aug 4 – Nashville, TN – Ryman Auditorium
Fri Aug 7 – Toronto, ON – RBC Amphitheatre
Wed Sep 09 – Dublin, IE – 3 Olympia Theatre – NEW DATE
Fri Sep 11 – Glasgow, UK – O2 Academy Glasgow – NEW DATE
Sat Sep 12 – London, UK – O2 Academy Brixton – NEW DATE
Sun Sep 13 – Manchester, UK – Manchester Academy – NEW DATE
Tue Sep 15 – Paris, FR – Salle Pleyel – NEW DATE
Wed Sep 16 – Antwerp, BE – De Roma – NEW DATE
Thu Sep 17 – Utrecht, NL – TivoliVredenburg – NEW DATE
Sat Sep 19 – Berlin, DE – Columbiahalle – NEW DATE
Sat Oct 3 – London, ON – Canada Life Place – NEW DATE
Mon Oct 5 – Ottawa, ON – The Arena at TD Place – NEW DATE
Wed Oct 7 – Laval, QC – Place Bell – NEW DATEABOUT METRIC
Metric is Emily Haines (vocals, keys), Jimmy Shaw(producer, guitar, keys), Joshua Winstead (bass guitar, keys) and Joules Scott Key(drums). They have spent over 20 years together in creative partnership and are releasing their 10th studio album in 2026 maintaining the original lineup.. “The band has become Canadian indie-rock icons,” says Pitchfork. “Metric [has] their own increasingly rare success story.” The band resisted major label offers in favor of starting their own label and retaining control of their own material and career, and for the last two decades have found themselves on an unusual trajectory of increasing success while continuing to push their own artistic boundaries past conventional expectations.
Emily Haines and Jimmy Shaw are also early members of Broken Social Scene. While Metric has always been their first priority, they have both written and performed songs on all of the collective’s albums from 2002-2017 including such tracks as “Almost Crimes,” “Swimmers,” “Sweetest Kill,” “Sentimental X’s” and “Protest Song.” Emily’s most notable contribution to the group is the breakout hit “Anthems For a Seventeen Year-Old Girl,” from the award winning album You Forgot It In People. Haines has also collaborated with numerous other artists, most famously striking up a strong creative connection with the late Lou Reed, who performed “Wanderlust” on Metric’s album Synthetica and joined Metric on stage at their sold out headlining show at Radio City Music Hall in 2013 to perform “Wanderlust” and the Velvet Underground’s “Pale Blue Eyes.” Haines worked with Lou Reed on various additional live events overseen by the late producer Hal Willner as well as performing “Ballrooms of Mars” on Willner’s final tribute album, Angelheaded Hipster: The Songs Of Marc Bolan and T. Rex alongside U2, Nick Cave, Joan Jett, and others. Haines has released three solo studio albums, including the acclaimedKnives Don’t Have Your Back. Jimmy Shaw has also released a solo album and works as a sought after, JUNO award-winning producer
Metric have a long history of creating music for film, starting in 2004 with their appearance in Olivier Assayas’ Clean, acting and performing their song “Dead Disco.” In his Scott Pilgrim series, graphic novelist Bryan Lee O’Malley based his fictional band Clash at the Demon Head on his experience of live Metric performances, and director Edgar Wright used their song “Black Sheep” in his 2010 film adaptation Scott Pilgrim vs The World. Also in 2010, Metric contributed the theme song “Eclipse (All Yours)” to The Twilight Saga: Eclipse soundtrack which they co-wrote with Howard Shore. In 2012, they won a CSA (Canadian Screen Award) for their score of David Cronenberg’s Cosmopolis, also with Howard Shore. Metric songs have been featured in numerous feature films and television shows including Grey’s Anatomy, The L Word, Zombieland, Nikki Glaser’s HBO Special Good Clean Filth,the hit animated film Nimona, and popular Netflix shows Wayward and I Love LA in 2025.
Both Emily Haines and Jimmy Shaw grew up surrounded by art. Haines was born in New Delhi where her father, poet Paul Haines, was writing the lyrics for Carla Bley’s monumental Escalator Over the Hill and her activist/teacher mother Jo ran a household steeped in experimental art and discourse stemming from their years in the Greenwich Village scene in the early 1960s. Born in the UK and raised in Toronto, Jimmy Shaw spent the first half of his life immersed in classical music and was accepted at the age of fifteen to the Curtis Institute in Boston and later graduated from the Juilliard Music School in New York. Metric has been nominated for numerous Polaris Music Prize and JUNO Awards, including five wins. Metric has appeared on The Tonight Show, The Late Show with Stephen Colbert, Jimmy Kimmel Live! and Later…With Jools Holland and have toured extensively, playing headline shows and festivals around the world.
ABOUT BROKEN SOCIAL SCENE
Remember the Humans was shaped by reunion and loss in equal measure. When Drew and Newfeld reconnected after nearly 20 years apart, one hangout became what they call “a hurricane of fun.” During the recording, both lost their mothers – a shared grief that drew them closer. As Newfeld recalls, “our moms would have wanted us to do this, and get it right after 20 years of not working together.”
As ever, Broken Social Scene operates less as a band than as a community and songs evolve by ceding control to whoever can best carry them forward in the moment. Drew may be the designated driver, but collaborators on Remember the Humans, including Hannah Georgas, Lisa Lobsinger, and Feist, step into the foreground throughout the record, shaping songs with a sense of collective authorship that has always defined the group’s ethos.The songs work because no one fully commands them. But this is where Newfeld matters most. As BSS’s Charles Spearin puts it, “his production suits the chaos of our songwriting so well…he’s got a childlike energy that is really contagious, when you get a piece of music that he loves, Oh my God, he’s bouncing like a little boy.”The same unruly energy that keeps a band young can also trap it in its own past. Yet on Remember the Humans, Broken Social Scene have evolved with a deep sense of intention. It is the sound of a band deepening rather than reinventing, exploring the emotional implications of forms they’ve spent twenty years shaping. “There’s a different kind of honesty in this record,” says Spearin, “we’ve had success, we’ve lost friends, we’ve lost parents, we’re at this ‘what happens next?’ stage in life.” Remember the Humans is adult music in the best sense: contradictory, wounded, expansive – hopeful in a way that feels earned rather than declared. And it is also, in its refusal of control and its embrace of the ungovernable, a testament to something increasingly rare: art that is not optimized, not streamlined, not strategic.BSS’s own evolution mirrors something happening outside it. After years of oversaturation and noise, the culture itself seems to have looped back to a craving for the raw, the communal, and the unguarded. The conditions that made You Forgot It in People feel necessary in 2002 have, in altered form, returned in 2026. According to Drew, “in 2026, you’re going to see a lot of resurgence of people going back to the roots of who they are, because things in their lifetime have gotten quite lost. I think we’ve let each other down, and I think it’s art that always tries to prevail, and tries to get us back on track.”
Remember the Humans was shaped by reunion and loss in equal measure. When Drew and Newfeld reconnected after nearly 20 years apart, one hangout became what they call “a hurricane of fun.” During the recording, both lost their mothers – a shared grief that drew them closer. As Newfeld recalls, “our moms would have wanted us to do this, and get it right after 20 years of not working together.”
As ever, Broken Social Scene operates less as a band than as a community and songs evolve by ceding control to whoever can best carry them forward in the moment. Drew may be the designated driver, but collaborators on Remember the Humans, including Hannah Georgas, Lisa Lobsinger, and Feist, step into the foreground throughout the record, shaping songs with a sense of collective authorship that has always defined the group’s ethos.The songs work because no one fully commands them. But this is where Newfeld matters most. As BSS’s Charles Spearin puts it, “his production suits the chaos of our songwriting so well…he’s got a childlike energy that is really contagious, when you get a piece of music that he loves, Oh my God, he’s bouncing like a little boy.”The same unruly energy that keeps a band young can also trap it in its own past. Yet on Remember the Humans, Broken Social Scene have evolved with a deep sense of intention. It is the sound of a band deepening rather than reinventing, exploring the emotional implications of forms they’ve spent twenty years shaping. “There’s a different kind of honesty in this record,” says Spearin, “we’ve had success, we’ve lost friends, we’ve lost parents, we’re at this ‘what happens next?’ stage in life.” Remember the Humans is adult music in the best sense: contradictory, wounded, expansive – hopeful in a way that feels earned rather than declared. And it is also, in its refusal of control and its embrace of the ungovernable, a testament to something increasingly rare: art that is not optimized, not streamlined, not strategic.BSS’s own evolution mirrors something happening outside it. After years of oversaturation and noise, the culture itself seems to have looped back to a craving for the raw, the communal, and the unguarded. The conditions that made You Forgot It in People feel necessary in 2002 have, in altered form, returned in 2026. According to Drew, “in 2026, you’re going to see a lot of resurgence of people going back to the roots of who they are, because things in their lifetime have gotten quite lost. I think we’ve let each other down, and I think it’s art that always tries to prevail, and tries to get us back on track.”
In a culture defined by abstraction and distance, Broken Social Scene have made a record that insists on the analog fact of human presence. It asks, gently, but insistently, that we remember each other, that we remember the human.
ABOUT STARS
STARS have spent their 20+ year career being a musical confidant to the inner-most secrets of their fans lives. They tell the tales we keep in the darkest, and most hopeful parts of our souls. They have persevered as a band, friends, musical and social curators; always putting art first, as well as the pursuit of transparency and truth. Stars have stayed true over the release of nine albums, countless tours, and every imaginable obstacle.Stars albums have always served as thermochromic barometers of their makers’ emotional well-being, be it the romantic upheaval of 2003’s Heart and 2004’s Set Yourself On Fire, the newsticker-triggered discontent of 2007’s In Our Bedroom After the War, the downcast elegies of 2010’s The Five Ghosts (a requiem for singer Torquil Campbell’s father, who passed away during the album’s creation), or the rejuvenation of 2012’s The North (recorded while inter-band couple Amy Millan and Evan Cranley were in the throes of new parenthood). Stars continued with their 2014 dance-club inspired offering, No One Is Lost and the 2017 pristinely produced by Grammy-award winner, Peter Katis for There Is No Love In Fluorescent Light. Stars released From Capelton Hill in 2022 which cuts to the band’s founding principles: brimming with gothic, dazzling ‘80s and ‘90s Britpop arrangements, but rendered with intimacy and warmth rather than with cold, digital remove. In 2024, Stars celebrated the 20th Anniversary of Set Yourself On Fire, with a digital/vinyl reissue and North American tour. Set Yourself on Fire (Live) vinyl is now available for the first time publically, after being exclusively offered on the band’s Patreon page. The vinyl, compiled from live recordings on the record’s anniversary tour in 2024/2025, is available here and as a digital album via bandcamp here.
STARS have spent their 20+ year career being a musical confidant to the inner-most secrets of their fans lives. They tell the tales we keep in the darkest, and most hopeful parts of our souls. They have persevered as a band, friends, musical and social curators; always putting art first, as well as the pursuit of transparency and truth. Stars have stayed true over the release of nine albums, countless tours, and every imaginable obstacle.Stars albums have always served as thermochromic barometers of their makers’ emotional well-being, be it the romantic upheaval of 2003’s Heart and 2004’s Set Yourself On Fire, the newsticker-triggered discontent of 2007’s In Our Bedroom After the War, the downcast elegies of 2010’s The Five Ghosts (a requiem for singer Torquil Campbell’s father, who passed away during the album’s creation), or the rejuvenation of 2012’s The North (recorded while inter-band couple Amy Millan and Evan Cranley were in the throes of new parenthood). Stars continued with their 2014 dance-club inspired offering, No One Is Lost and the 2017 pristinely produced by Grammy-award winner, Peter Katis for There Is No Love In Fluorescent Light. Stars released From Capelton Hill in 2022 which cuts to the band’s founding principles: brimming with gothic, dazzling ‘80s and ‘90s Britpop arrangements, but rendered with intimacy and warmth rather than with cold, digital remove. In 2024, Stars celebrated the 20th Anniversary of Set Yourself On Fire, with a digital/vinyl reissue and North American tour. Set Yourself on Fire (Live) vinyl is now available for the first time publically, after being exclusively offered on the band’s Patreon page. The vinyl, compiled from live recordings on the record’s anniversary tour in 2024/2025, is available here and as a digital album via bandcamp here.
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