Released over 4 decades ago to critical acclaim, Hollywood hit An Officer and a Gentleman has remained a much loved cinematic classic internationally, Douglas Day Stewart’s tale of a young man’s perseverance training towards a career as a Naval Pilot one that addresses deeper themes concerned with manhood/brotherhood – that more than ever, where we address mental health more openly, has aged well. Nikolai Foster tapping into the relevancy of Stewart’s screenplay effortlessly with a musical adaptation realised entertainingly by musical director Christopher Duffy.
We root for all of the troupe, each naval trainee with a personal hurdle to overcome of their own, Jamal Crawford’s Gunnery Sergeant Emil Foley the icy, no nonsense, quick witted yet unwittingly paternal figure that brings everything together yet pushes all to their limit. Luke Baker’s Zack Mayo determined to not only expand his own capabilities, but to make his father, a former army officer proud. Danny Whelan’s Sid Worley longs for purpose, with this possibly realised when meeting Sinead Long’s Lynette Pomeroy – for heartbreak to very sadly ensue. A lot goes on, we’re made privy to the lives of everyone beyond training, making the cast that much more relatable.
Nikolai Foster is mindful of the evening’s pace, not a moment lags so there’s never a dull moment. Christopher Duffy contributes a mixed musical catalogue comprising of original material and much loved 80s hits – giving the show its Americana, punchy, anthemic feel which of course has us all dancing along! Joanna Goodwin adds to the feel good vibe with her athletic and exuberant dance numbers – a much needed tonic currently!
An Officer and a Gentleman explores the deeper issues, whilst also maintaining an upbeat – making for a gripping watch.
Review written by Lucy Basaba.
An Officer and a Gentleman is currently showing until Saturday 10th August at The New Victoria Theatre. To find out more about the production, visit here…
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