Hanif Kureishi’s much loved screenplay is adapted masterfully for the stage in 2019. The story takes a life of its own with characters given more development in the way only theatre allows, with asides and fanciful monologues, that humanise the stuffy Pakistani patriarchs and skinheads alike.
Set in South London during the Thatcher years, the story is told through the eyes of a young mixed-race Pakistani, Omar, who is intent of making a success out of his uncle’s run-down launderette with old school friend and part-time fascist Johnny.
My Beautiful Launderette paints a complex picture and narrative of male masculinity and relationships which explore father-son relationships, brotherly love, friendship and queer love, competition between the ideal Pakistani man and the Westernised ethnic, and finally leadership and pack mentality. Power, love and freedom are main motivators in the play and the various variations of how these dynamics play out between different characters is what makes this story so irresistible to watch. Chemistry is palpable, especially between the main two protagonists Omar and Johnny played impeccably by Lucca Chadwick-Patel and Sam Mitchell.
Speaking of impeccable performances, Gordon Warnecke plays Papa beautifully which makes total sense when you find out that he played Omar Malik in the original film in 1985. You can read the interview with Warnecke with The Belgrade Theatre here. Warnecke’s comic timing especially deserves special mention along with his ability to be lovable even whenbeing a complete twat. Speaking of lovable twats, Paddy Daly’s depiction of Genghis, the Paki-hungry racist and political anarchist, is extraordinary. It is testament to what great actors can do with nuanced writing.