London Theatre Week, the highly anticipated performing arts celebration spotlighting dynamic musicals and award-winning plays in London’s West End, is extending until 10 September.
Locals and tourists alike will have the chance to beat those back-to-school blues by experiencing a wide-range of productions with reasonable tickets from £15, £25, or £35. Now in its fifth year, London Theatre Week is proud to have grown to a world-renowned initiative, meaningfully increasing accessibility to the performing arts since its inception. Having started with just 37 participating shows in its inaugural year, London Theatre Week has seen over 140 shows participate, performing across 85 local theatre venues, and has sold over 1 million tickets to audience members. Both new shows like Back to the Future and beloved classics like The Phantom of the Opera have taken part, bringing joy to audiences seeing high-calibre productions on offer in London’s glittering West End for a fraction of the cost.
Classic hit ‘Don’t Leave Me This Way’ is an instantly recognisable pop/synth track transporting all back to the 80s, an energetic, iconic number that instantly gets you moving from The Communards, spent weeks at the no. 1 spot on the UK charts – a testament to the song’s popularity which is still enjoyed to this day. With co-vocals by soul/jazz vocalist Sarah Jane Morris, the band’s unique sound would go on to define the pop sound of the day. Renowned for her tenor/baritone range, Sarah Jane has paved a varied path throughout her career since, fronting bands The Republic and The Happy End and passing on her musical knowledge to future generations. Her latest project The Sisterhood a live choral performance narrating the lives of 10 iconic females musician including Nina Simone and Kate Bush. Set to play at Cadogan Hall on 6th October, Sarah Jane tells us more about her inspirations for creating the show, working with renowned guitarist Tony Remy to produce the show and how her extensive career has shaped her as an artist.