The third text in a trilogy of Theban plays written by Sophocles, Antigone proceeds from the aftermath of the Thebes’ civil war, a war that would consequentially witness the deaths of brothers Eteocles and Polynices – two powerful forces leading opposite sides of combat. Eteocles honoured, Polynices shamed by the newly crowned king of Thebes, Creon. Exploring the Ancient Greek text further in a newly adapted production by Merlynn Tong, with direction by Dawn Walton OBE, performer Wendy Kweh talks about taking on the role of Creon, a role traditionally played by a male. Ahead of the production at the Mercury Theatre, Wendy tells us more about what to expect.
Roy Williams’ new version of Sophocles’ ancient tale of familial warfare and hubris is brought to Theatre Royal Stratford East after touring the UK at the end of 2014. With this re-telling of Antigone, a story that has been told thousands of times in the last 2,500 years, Roy Williams sheds new light on an old problem. Just how much are we willing to stand up for what we believe in? How far should we go to protect our honour, or that of our family? This is what Williams addresses in a bleak, filthy Thebes where soldiers are “fam” and gangland rivalries are all that matter.
