In 1879, Henrik Ibsen’s A Doll’s House might have played to sold out audiences at its premier in Copenhagen’s Royal Theatre but was Denmark really ready for Nora Helmer to ditch it all and ‘live her truth’? Of course, 19th century Danes weren’t as woke as we are now and probably hadn’t heard of ‘living your best life’.

Courtesy of Marc Brenner.

Home to Europe’s most famous street party, the Notting Hill Carnival typically witnesses over 1,000,000 spectators partying the day away on the streets of West London. With over 50,000 performers providing the iconic carnival’s sparkle, the August Bank Holiday weekend serves as a time to connect with fellow spectators and celebrate years of tradition the carnival has brought the capital. Inspired by her experiences of carnival, playwright Yasmin Joseph has crafted her first full length play J’Ouvert, which translates as ‘dawn’ in the Antillean Creole French language and is an annual street party taking place in many Caribbean Islands. Ahead of J’Ouvert’s run at Theatre503, Yasmin spoke to us about the show’s pivotal themes, how she approached creating the show and what she’d like for audiences to take away from it.

Based on Nan Sheperd’s homage to the Cairngorms, The Living Mountain, Into The Mountain is a daring new piece of work that culminates six years of research from Simone Kenyon. Consisting of a two-hour hike followed by a unique contemporary dance piece far off the beaten track, this incredible performance has been the highlight of Take Me Somewhere Festival.

Performed as a part of Take Me Somewhere Festival, 100% Pop is somewhere in between a homage and a sequel to Grace Jone’s One Man Show. This immersive party of a performance deals with pop sound and imagery within a culture of global capitalism, questioning the validity of our obsession with aesthetics through movement and music.

100% Pop is more of a gig than a piece of theatre. Performed in Tramway’s second space with the seats stowed away, audience members stand as Nora Chipaumire and her fellow performer explore the space without boundaries. The setup of the space is incredible, small details ensuring that the entire thing feels like an acid trip from the eighties. It is a fresh new take on immersive performance that shatters the division between artist and audience, celebrity and consumer. The form itself is engrained with social commentary.

However, once I allow myself to succumb to the party, as Chipaumire imitates my static stance with an accusatory gaze, I begin to lose track of what is being said. I’m all for performance that forces the audience out of their comfort zone, but this seems redundant when doing so causes us to forget why we are there all together. I go to a gig to have a dance, I go to the theatre to be told something new. This doesn’t detract from my enjoyment at all, although I do feel many audience members feel incredibly awkward. Sadly the effectiveness of the performance is reduced by the intensity of its form.

Nonetheless, 100% Pop makes an important point about consumer culture, and the repetition of ‘revolution is not on Netflix’ hammers home the need for a return to a simpler time. Chipaumire is a clearly talented deviser of performance, I only wonder if her style is better suited to a different form.

Review written by Rachel Baker.

100% Pop was shown on Sunday 26th May 2019 at the Tramway Theatre. To find out more about the production, visit here…

Kema Sikazwe is an actor, rapper, singer (who performs under the name Kema Kay), rising star and Live Theatre Associate Artist. He played Daniel Blake’s neighbour China, in the Ken Loach film, I, Daniel Blake. His debut show Shine is a Live Theatre production which tells his own autobiographical story through an electrifying live soundtrack and heartfelt words. Shine premiered at Live Theatre, Newcastle from Thu 2 – Sat 11 May and transfers to the Traverse Theatre in Edinburgh from Thu 16 – Sat 18 May. Find out more about his show ‘Shine’; a show looking back at his journey from Zambia to assimilating to a new life in Newcastle at 3 years old.

An Arts Council England National Portfolio Organisation since 2012, the Norfolk and Norwich Festival collaborate with artists both locally and globally to curate a unique line up of artists annually. Taking place over 17 days in May, the festival ‘transforms our public spaces, city streets, performance venues, parks, forests and beaches, bringing people together to experience the same brilliant and inspirational events’. This year’s eclectic line up will witness shows spanning ‘music, theatre, literature, visual arts, circus, dance and free outdoor events’. Responsive to universal issues, this year’s festival looks to explore themes of  ‘journeying and crossing borders’ and ‘making and doing ourselves’, two themes incredibly pertinent. Ahead of his year’s festival, festival Director Daniel Brine discussed the planning and creatives who make this vision possible.

From Monday 20th to Sunday 26th May, Dementia Action Week aims to encourage ‘everyone to take action by starting a conversation; whether it’s calling a relative with dementia or visiting a neighbour, it’s time to start talking’ (Alzheimer’s Society). The week will ‘unite people, workplaces, schools and communities to take action and improve the lives of people living with dementia’. We’re living in a time whereby discussions around dementia are starting to become prominent, however greater awareness to the disease is a necessity. Having conducted workshops with dementia peer groups; inspiring the creation of their immersive show One Hundred Trillion, The Dot Collective look to create a sensory show raising awareness as well as being relatable to its audience. Read on to find out more about the show’s creation process and inspirations as we spoke to Director Laura Harling ahead of the show.

With the rise in popularity of phone apps, the accessing of products/services has become increasingly easier, the e-commerce industry in effect making shopping experiences convenient for customers as they’re able to utilise apps at whatever time and whenever. Apps can be found for a variety of industries whether that be gaming, beauty, social networks, you name it, however theatre seems to be new ground. Having been inspired to create an app, Getgo Culture, to help introduce audiences to new theatre experiences, Joshua Beecham and his team look to make theatre a lot more accessible to both theatre goers and those new to the theatre. Read on to find out more about this exciting and innovative theatre subscription service!

Helen Edmundson adapts the late Andrea Levy’s adored novel for the National Theatre stage. Directed by Rufus Norris, the epic three-hour narrative is a triumph. The story follows those that were affected by Empire Windrush, the Second World War and British colonialisation, and is told by a company of 40 on the Olivier stage.

Courtesy of Brinkhoff-Moegenburg.