The Almeida’s new staging of Hamlet is set in contemporary Denmark. The set is flanked with TV screens and looping news broadcasts, the spectre of media saturation possibly suggesting an overlap between Shakespeare’s cloistered, paranoiac courts and modern society, where we too submit to the relentless scrutiny of strangers. Despite the flashy revamp, however, Robert Icke’s production feels relatively conservative, dutifully adapting the source material and making few cuts to the text.