Raising the profiles of pub theatres within the capital, London Pub Theatres Magazine celebrates and supports our unique fringe theatre culture. Founded and edited by theatre maker Heather Jeffrey, the magazine has helped to raise the awareness of the various theatre venues that continue to shape the industry. Heather tells us more about what inspired her to create the publication, how theatres are currently adapting to restrictions with online shows, the awards initiatives created to celebrate the great work being created and her hopes for the publication moving forward.

Fuelled by political and social events that have witnessed noticeable divisions within the past four years, Chris Redmond – co-founder of spoken word collective Tongue Fu has been inspired to curate an album creating a ‘space of hope and solidarity’ during a chaotic time. Ahead of the album’s release later on this month, Chris tells us more about the album’s line up, listening to the final edit and what listeners can expect.

Set on empowering the next generation of artistic leaders, Artistic Directors of the Future, founded by award winning founder and artistic director Simeilia Hodge-Dallaway seeks to demystify leadership roles; ‘celebrating the Black, Asian, Middle Eastern and Ethnic Minority talent which exists in our community.’ Formed 6 years ago, the charity’s impact has been significant within the theatre industry, conversations geared towards diversifying leadership a key factor in regards to advocating for change. Reflecting on the charity’s impact so far, Simeilia tells us more about the organisation’s journey, their Board Shadowing programme and Diversifying Boards event and her hopes for the organisation moving forward.

Due to showcase new work earlier on in the year, RUMAH have adapted their festival into an online event – a mixture of spoken word, scratch performances and comedy skits highlighting Asian voices, advocating for much needed representation on our stages. Presenting #RUMAHFest Online, founder and producer Nur Khairiyah talks about how she’s adapted to the current climate as a theatre maker and freelancer, the importance of creating these types of platforms and spaces for artists and her hopes for the festival moving forward.

With the 450th birthday celebrations of one of our most celebrated playwrights well and truly underway, each play serves as a reminder of just how influential Shakespeare’s part has been in the worlds of both the English language and the landscape of theatre making. Founded 2 years ago, Zoe Ford‘s theatre company, Hiraeth Productions has sought to bridge the gap between the Elizabethan/Jacobean era in which Shakespeare thrived, and the technological, forward thinking era in which we now live. Ahead of Zoe’s production of Hamlet, I was able to speak to the Director about her prison inspired interpretation, her inspirations for founding Hiraeth and why being a Text Assistant for Shakespeare’s Globe has proved invaluable!

As founder of Hiraeth Artistic Productions, what inspired you to create the company?

Starting a theatre company was an idea that came to me at drama school; studying theatre performance was the first time I was exposed to the process of theatre creation – production, direction etc. It fascinated me, the thought of starting my own company was exhilarating, so I plunged in head first.