The Grimeborn Festival at the Arcola Theatre is back for its ninth year. Offering reimagined classics, obscure masterpieces, and interesting new work, Grimeborn is one of the summer festival highlights in London, taking opera aficionados on a journey of discovery. One of the productions definitely worth seeing is Gariné by Dikran Tchouhadjian, the first opera composer of the Ottoman Empire and known during his lifetime as “the Armenian Verdi” and “the Oriental Offenbach”.
It’s rare to walk down a high street without spotting either a bookies, or a chicken and chip shop. It’s a sign of our times at present, a marker of 21st century London. Both seemingly unassuming settings, what dramatically could happen? Well, in Lynette Linton’s refreshing new production, Chicken Palace, the chicken and chip shop setting is given a lease of life. Having made her debut at new writing festival, Angelic Tales, 3 years ago with her production STEP, Linton has gone from strength to strength in her writing career. Ahead of Chicken Palace‘s debut, Theatrefullstop were lucky enough to speak to the playwright about her inspirations for the play, working with Theatre Royal legends Rikki Beadle-Blair and John Russel Gordon, and offers advice to aspiring playwrights!
Hi Lynette! How are you feeling ahead of the first performance of your new play, Chicken Palace, due to show at Stratford East Theatre Royal?
