A celebration of our individualism, contrasted with the need to be a part of something far greater, Sum Im Her‘s W.A.Y (Rework), brought back to The Place Theatre after it’s original outing in 2019 explores these facets of humanity further.
A celebration of our individualism, contrasted with the need to be a part of something far greater, Sum Im Her‘s W.A.Y (Rework), brought back to The Place Theatre after it’s original outing in 2019 explores these facets of humanity further.
Artistic Director Barbara Mundel started her first season at the Kammerspiele a year ago, right in the middle of the Covid-19 pandemic, when all theatres were closed. Productions were postponed or, if possible, streamed online. But finally, Mundel was able to present her first premiere to a live audience, a play based on Gabriele Tergit’s novel Effingers, in an adaptation by director Jan Bosse and dramaturge Viola Hasselberg. First published in 1951, the novel was not a success, but it was reissued this year and has been well received by literary critics.
Courtesy of Armin Smailovic.