
It’s curtain up on a new government and yesterday a Starlight Express cast member, in collaboration with Society of London Theatre and UK Theatre, rolled down to Westminster to set out the conditions that will enable theatre to thrive.
You can watch the video here: https://x.com/SOLTnews/status/1810667091999219963
Skating past Downing Street, the Treasury and the Department for Culture, Media and Sport on behalf of our sector, Harrison Peterkin, who plays Lumber in the acclaimed musical now playing at Troubadour Wembley Park Theatre, took time out from performing eight shows a week to choreograph this special delivery.
Society of London Theatre & UK Theatre’s letter to Prime Minister Sir Keir Starmer MP, outlines what’s needed for British theatre to survive and thrive, and how we work in partnership to help his Government promote growth and kick down barriers to opportunity:
Dear Prime Minister,
The power of theatre to promote growth and break down barriers to opportunity
On behalf of the Society of London Theatre & UK Theatre congratulations on your electoral victory. We are the membership organisations for theatre producers, managers, owners, and operators in London and across the UK. As you will know some of our member venues – including Donmar Warehouse and Gillian Lynne Theatre – are in your own constituency.









Pop icon Anastacia has today announced a huge European tour for 2025, introducing the Not That Kind tour. The mammoth tour marks 25 years since Anastacia’s debut studio album which was released in 2000. Anastacia first broke through in Europe with smash hit I’m Outta Love which featured on the album, and the star has continued to have global success ever since. The tour will see the biggest voice in pop visit Spain, Italy, Switzerland, Austria, Czech Republic, Germany, Poland, Ireland, The Netherlands, France, Belgium, Ireland and the UK. Tickets go on general sale Friday 5th July at 10am via
Larger than life, postmodern, explosive, and chaotic, Daniel York Loh subverts the notion of the typical British Chinese experience in his latest play which premiered in London last week. The last time I felt such awe and excitement about the possibilities of theatre was when I saw Daniel’s last play at the Arcola Theatre, FORGOTTEN 遗忘 (2018).