There are approximately 22,500 Greeks living in Munich, more than in any other German city. Many of them arrived in the 1960s as so-called guest workers or to escape the military regime in Greece between 1967 and 1974. In recent years, the number of Greeks living in Germany has increased again, as a result of the economic crisis in Greece. Co-directors Anestis Azas and Prodromos Tsinikoris have collected stories of Greeks who have made Munich their home and present them in the framework of a documentary project at the Kammer 3, the studio space of the Kammerspiele.

Courtesy of Judith Buss.

French director Philippe Quesne began his career in the visual arts. After designing sets for theatre, operas and exhibitions for ten years, he created the Vivarium Studio Company in 2003 and directed his first show, La Démangeaison des ailes . Since 2014 he has been Artistic Director of the Théâtre Nanterre-Amandiers in Paris and his productions are frequently invited to international festivals. Caspar Western Friedrich is his first production at the Kammerspiele.

Courtesy of Martin Argyroglo.

The Roundhouse marks a very special edition of CircusFest, celebrating 250 years of circus as a modern art form, kicking things off with Pirates of the Carabina’s latest show, one that unfortunately fails to live up to such a special occasion.

Before Trump, if you wanted big, wham-bam political sex stories you only needed to whisper the name ‘Monica Lewinsky’. Bill Clinton’s highly documented ‘sexual relations’ with the 22 year old White House intern was the scandal that hooked the western world.

Courtesy of Helen Murray.

When an infamous criminal is incarcerated in a London jail, prison guard Tracey knows she shouldn’t be frantically googling the notorious case. But for Tracey, it’s hard to get away from the story that has hooked the nation. Inside the prison walls life is stagnant and slow, making it the perfect playing field for inmate Siobhan to coerce the easily manipulated.

Following a successful run at The Royal Court Theatre in London, Minefield is back, taking audiences through the untold tale of The Falklands War. Both British and Argentinian actors reveal their untold secrets, facing up to the past and sharing honest memories of this tragic tale of blood, sweat and tears.

Courtesy of Tristram Kenton.

Opera isn’t often a go to for parents looking to please disgruntled children during the spring term holidays, but at the Barbican a sold out adaptation of Neil Gaiman’s Coraline proves to be just the ticket for Easter holiday entertainment.

Tapping into the topic of cultural identity, Guleraana Mir’s latest play, ‘Coconut’ explores what it means to be of dual nationality. Pakistani by heritage and brought up in the UK, Mir’s experiences with familial and societal expectations have shaped this timely piece. Read on to find out more about what Guleraana would like for audiences to take away from the show, why she has chosen certain topics to explore and how the New Diorama BAMER programme has supported the show’s development.

Half Breed Production Photos at Assembly Box
Edinburgh Festival 2017
Photo Credit: The Other Richard

Debuting at last year’s Edinburgh Festival, Natasha Marshall’s Half Breed has sparked conversation about what it means to be of mixed heritage in Britain today and how this is viewed within society. A part autobiographical work, Marshall’s vital one woman show has received critical acclaim, picking up multiple award nominations in the process. Marshall credits the show’s success to the influential Talawa Theatre Company and Soho Writer’s Lab for allowing the show to reach its full potential. Both companies are renowned for their support and championing of new writing, contributing to our contemporary canon of new voices. Read on to find out more about Marshall’s response towards the show’s success, what she’d like for audiences to take away from the show and what it was like performing the show to audiences in India!