Following a highly successful run first at the Nottingham Playhouse then at London’s Almeida theatre, Robert Icke and Duncan Macmillan’s Nineteen Eighty-Four transfers to the West End’s London Playhouse Theatre, in collaboration with Headlong.
Following a highly successful run first at the Nottingham Playhouse then at London’s Almeida theatre, Robert Icke and Duncan Macmillan’s Nineteen Eighty-Four transfers to the West End’s London Playhouse Theatre, in collaboration with Headlong.
“I don’t want to have to think about race.” Young Jean Lee says about her latest production, ‘The Shipment’, which is being performed for the first time in the UK as part of London’s LIFT festival, opened to a predominantly white, middle aged, upper middle class audience.
The vampire and the awkward teen. At first glance, Let the Right One In is befitting of a genre that has captured the nervous hearts of teenagers worldwide, probably because its pointy-toothed protagonists reflect the typically tween- and teenage gripes of alienation and otherness that muddle the path to the adult world. Let the Right One In explores these themes, but opens them up to a much wider social context, successfully including us all in the question of ‘otherness’ and what it means to be human.