The Jamie Lloyd Company today announces the full cast for William Shakespeare’s The Tempest at Theatre Royal Drury Lane. Directed by Jamie Lloyd, The Tempest opens on Thursday 19 December, with previews from 7 December 2024, running until 1 February 2025.
Sigourney Weaver (Prospero) is joined by Jude Akuwudike (Alonso), Jason Barnett (Stephano),Selina Cadell (Gonzalo), Mathew Horne (Trinculo), Mara Huf (Miranda), Forbes Masson(Caliban), Mason Alexander Park (Ariel), James Phoon (Ferdinand), Oliver Ryan (Sebastian) and Tim Steed (Antonio).
The Tempest is the first production in The Jamie Lloyd Company’s season of Shakespeare at Theatre Royal Drury Lane; it is followed by Much Ado About Nothing starring Tom Hiddleston(Benedick) and Hayley Atwell (Beatrice). Also directed by Jamie Lloyd, Much Ado About Nothing opens on Wednesday 19 February, with previews from 10 February, and runs until 5 April 2025. On sale dates and full cast and creatives to be announced.


17-time Grammy Award-winning artist Sting announces a series of outdoor and festival performances for summer 2025 as part of his Sting 3.0 World Tour. With virtuoso guitarist and longtime collaborator, Dominic Miller, and dynamic drummer Chris Maas (Mumford & Sons, Maggie Rogers), the band will perform the most electrifying hits and rarities from Sting’s timeless discography. Following their hugely successful headline performance at BBC Radio 2 In The Park in Preston earlier this month, Sting’s UK shows will include a headline sets at Isle of Wight Festival and Latitude next summer. Full itinerary below with ticket details.
Following a multi-Olivier award-winning run in London, a stunning new production of Andrew Lloyd Webber’s legendary SUNSET BLVD, directed by two-time Tony Award® nominee and multiple Olivier Award® winner Jamie Lloyd, is one of Broadway’s most anticipated events of the fall.
Voted one of the most influential texts of the 20th century, Waiting for Godot asks for the human condition to slow down and appreciate what is – the show’s leads Estragon and Vladimir symbols of what it is to not be shrouded by materialistic things and just ‘be’. Waiting for Godot a tragicomedy concerned more so with the weight of the words spoken and the bleakness of ego and expectations. Taking residence currently at Theatre Royal Haymarket, James Macdonald’s rendition draws on the dreariness of waiting.
The Royal Shakespeare Company (RSC) today announce nine international Fellows who will lead a major programme exploring the future of creative and cultural practice. Supported by the UKRI Arts and Humanities Research Council over a period of four years, each Fellow will focus on a research theme which responds to the biggest challenges faced by the creative industries and wider society, and the change needed for the development and survival of the sector and future economic growth. The Fellowships form part of AHRC’s PORTIA (participatory and open research through technology in action) programme which seeks to create the spaces, places and platforms that enable creativity-led R&D to thrive.

Following an intensive three-month recruitment and selection process, Pitlochry Festival Theatre is delighted to announce the appointment of actor, singer, writer, producer and director Alan Cumming as their new Artistic Director.
This week marks the start of an arts and culture re-set for Manchester with the launch of a brand-new decade long cultural strategy for the city.