Moving on from the lingering spectre of trauma often is an incredibly difficult process to undertake, for some, moving on proving to be too much. Painful revelations about someone you thought you knew resulting in devastating effects. Fearless in her observation of how a resilient, unapologetic family of women take on the world post the passing of an abusive patriarchal presence, Clean Break and Deborah Bruce presents Dixon and Daughters.

Courtesy of Helen Murray.


Ramps on the Moon is changing the arts and culture sector by elevating the presence of deaf and disabled people into the heart of theatre, on and off stage. Michèle Taylor, Director for Change, co-founder of Ramps on the Moon and UK leader on Disability Equality, has launched her first podcast series where she delves deep into mainstream theatre to discover what the realities are now, and what the future holds for disability equality in the arts.
Societally, we’re making strides to better represent stories told from varied perspectives, a notion that’ll continue to grace our tv screens and stages, and one that’ll continue to enliven our media landscape in this new era. Currently on season 2 and available to stream on HBO, crime drama Perry Mason has enthralled viewers – set in 1930s LA, the show follows the eponymous defence lawyer as he navigates his way through the fractured city as he uncovers unpleasant truths. Currently starring as Mateo Gallardo, actor Peter Mendoza tells us more about preparing for the role, the importance of Latino representation and what we can expect from this season!




Mastering stillness and calm in our relentless day and age can quite understandably be a challenging feat to accomplish, our digital age continually keeping us connected to the outside world. Meditation a vital practise in helping to achieve a sense of living in the present and shutting off from distractions. Finding that a meditative environment was a byproduct of the creation of new piece IV, Bodyworker, Mixed Media Artist and Performer SERAFINE1369 (Jamila Johnson-Small) was able to achieve this in part due to sound designer Josh Anio Grigg’s score, amongst other factors. The show bringing together bodies in movement and stillness, in light and in darkness, and a speaking clock, to create a series of tableaux and moments of dancing with complete abandonment. Incorporating loose dancing emerging through tight structure, a system of movement and stillness – IV is a meditative play between instinctive rhythms and strict timing. Ahead of the show, to take place the from 25th to 28th April as part of the NOW23 Festival at The Yard, SERAFINE1369 tells us more about what to expect!