Marking its 50th year, the Young Vic celebrates with a year-long programme paying homage to the venue’s legacy of creating ‘an experimental workshop for authors, actors and producers’ as well as factoring in affordability. Established by Royal National Theatre Associate Director Frank Dunlop, successive Artistic Directors Michael Bogdanov, David Thacker, Julia Bardsley and Tim Supple, Tim Supple, David Lan and now currently Kwame Kwei-Armah have shaped the venue into what it is today. Commemorating the past as well as envisioning the venue’s future, Kwame tells us more about the venue’s initial programme, possible plans for a block party to mark the important milestone and his hopes for the theatre moving forward.

An exploration of the Universal Credit System, Laura Lindow’s pertinent show Credit utilises research gathered by various organisations in Gateshead and Newcastle as well as the experiences of people on Universal Credit to start up a conversation and examine whether the system benefits those its meant to support. Initially programmed for April earlier on this year, Credit will be exclusively previewed online on Tuesday 16th September, followed by Q & As discussing this important topic further. Ahead of the streaming, Cap-a-Pie Theatre’s Artistic Director Brad McCormick tells us how he’s worked with Laura to develop the show, developing the show during this unpredictable time and the importance of the Q & A aspect of the preview.

For the last 15 years, Chinese Arts Now have been committed to presenting works focusing on contemporary Chinese perspectives. Recognising that there was a lack of shows presenting their narratives, CAN have established a network of partner organisations such as the Southbank Centre, Soho Theatre and the Young Vic amongst others who have supported the presenting of their work. Last year welcomed a new addition to CAN, the Chinese Arts Now Festival “dedicated to showcasing to the public performing arts that explore contemporary Chinese themes, perspectives and art forms. CAN Festival 2019 showcased a diverse range of art forms (music, drama, live art, dance, films, digital arts) with over 60 events across London“. Adapting to current theatre closures due to the Covid crisis, CAN are currently supporting artists with their ‘Digital Commissions’ initiative. CEO & Artistic Director of Chinese Arts Now An-Ting Chang tells us more about the festival and the commissions.

Six months post lockdown due to the Covid-19 crisis, the theatre industry finds itself adapting to a socially distanced era as Phase Four of the Government’s Five Stage plan now sees a handful of theatres open for performances. An uncertain time for the industry, it’s a case of adapting to an ever changing climate. A response to the current situation, Artistic Director of Spun Glass Theatre Jessica Cheetham, alongside a team of regional leads have worked together to create Theatre Search, a resource for the theatre industry documenting the opening status, dates and programming windows of nearly 900 theatres, venues and festivals UK wide. Jessica explains further about this crucial resource.

If you were to walk past the Latchmere Pub in Battersea, you would be mistaken as to think that the venue was devoted to solely serving the very best ales, spirits and wines. However, the venue, also known as Theatre 503, has been at the forefront of showcasing the very best of new writing for over three decades. Having taken on the role of Artistic Director in 2012, Paul Robinson has continued on in true Theatre503 tradition, by championing new writing with the addition of Theatre 503 Playwriting Award. In one of the most theatrically diverse cities in the world, in terms of the small scale fringe shows, West End Shows, Off West End Shows, Outdoor performances… the list goes on, it may be deemed as being financially safe to keep to well known productions to draw the crowds in. Theatrefullstop were lucky enough to speak with Paul about taking risks in a new writing venue, the importance of funding to support Theatre 503s work and talks about the various opportunities available for budding writers!

For centuries, our perceptions of the circus have been fixed into believing that the art form is a set genre, devoted to showcasing a selection of the weird and the wonderful, from contortion artists to jugglers, trapeze artists to clowns. Fast forward to the 21st century, and Artistic Director of Circa, Yaron Lifschitz updates the traditional art form into a thematic and imaginative playground full of wonder amazement. As the founder of the internationally acclaimed Circa, noted for their ambitious and awe inspiring productions, Yaron has witnessed the company’s popularity go from strength to strength. Having taken their performance of Beyond worldwide, Circa will be making a pit stop in Edinburgh for the next month as they take on this year’s Festival. Ahead of their performances, I was able to speak to Yaron about his inspirations for the production, what he’s looking forward to the most at this year’s festival and why it’s important to not take yourself too seriously!

Yaron, you are the Artistic Director of Circa, who will be showcasing the critically acclaimed Beyond at this year’s Edinburgh Fringe Festival from 30^th July. Could you describe the concept of the production?