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Home, Reviews

Who Killed My Father @ Young Vic Review

Our childhoods shape who we become, experiences and encounters laying the footprint for how we confront situations in later life, traumas, whether obvious or not shrouding how we react to the day to day – memories incredibly significant, powerful enough to dictate what life looks like for us in the present moment. Translated from Édouard Louis’ Qui a tué Mon père (Who Killed My Father), Ivo Van Hove’s translation of the same name draws on Louis’ autobiographical work, is a reflection of his complex relationship with his macho father, an alcoholic battling his own demons, beaten down by his work in the heavy industry and pressured to maintain his role as the man of the house. The fallout of this resulting in a clash in ideologies, volatility, a decline in mental health and non acceptance.

Courtesy of Jan Versweyveld.

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12th September 2022by Theatrefullstop
Home, Reviews

Network @ The National Theatre Review

The first rule of news: you do not become the news. This is easier said than done, as UBS TV Anchorman Howard Beale proves, when he announces his planned suicide on his evening news slot to many a bewildered audience. In a moment of madness that should have ruined his career, it actually propels Beale to stardom, making him the most watched broadcaster on the TV circuit.

Courtesy of  Jan Versweyveld.

Courtesy of Jan Versweyveld.

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15th November 2017by Theatrefullstop
Articles, Home

PRESS CONFERENCE: NT ANNOUNCES NEW SEASON

Today, Rufus Norris, Artistic Director of the National Theatre, has announced what is coming up in the new season: Four world premieres, two European premieres and co-productions with Headlong, Fuel, West Yorkshire Playhouse, Out of Joint, and Improbable, featuring new work by Inua Ellams, Yaёl Farber, DC Moore, Lindsey Ferrentino and Nina Raine.

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13th October 2016by Theatrefullstop

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