The Anglo-Japanese alliance signed in January of 1902 by British Foreign Secretary Lord Lansdowne and Japanese diplomat Hayashi Tadasu witnessed a period of diplomacy in the early 20th century between the two nations before its termination in 1923. Three years later and Japan transitioned into the Shōwa era, a period overseen by Emperor Hirotito and one that would endure the impact of defeat post WWII, shaping the course of future generations and as a result of this, migration being a means for many to seek a hopeful future elsewhere. Exploring the stories of Japanese migrants living in the UK post WWII, New Earth Theatre present Tsunagu/Connect Live – an immersive promenade production comprised of verbatim recordings of participants who took part in an oral history project led by the theatre company in 2020.

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From left to right – Tomoko Komura, Meg Kubota, Yuki Sutton and You-Ri Yamanaka.

Shōwa era Japan (1926-1989) – ruled by Emperor Hir0hito witnessed the transition from empire pre-WWII to state post war, the impact of their defeat in the war one that would shape the course of future generations, migration a means for many to seek a hopeful future. In 2020, New Earth Theatre launched an oral history project that resulted in over 30 Japanese women being interviewed about their experiences of being a migrant in the UK – a perspective we seldom hear and one that is vital for addressing representation within the arts. Created in response to this project, New Earth Theatre present Tsunagu/Connect Live – an immersive, promenade work placing the voices of four Japanese women at the fore featuring performers Tomoko Komura, Meg Kubota, Yuki Sutton and You-Ri Yamanaka. Currently showing at Shoreditch Town Hall until Saturday 30th April, cast member Meg tells us more about what to expect!

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Inspired by the Japanese Goze; female musicians who would travel around medieval Japan to tell their stories to make a living, both Yellow Earth and Extant Theatre have teamed up to create a multi-disciplinary piece exploring what it means to navigate a world being a visually impaired performer. Flight Paths will witness two female performers take centre-stage as they perform a mixture of verbatim interviews and aerial sequences choreographed by Upswing’s Vicki Amedume. Ahead of their first few shows at the Harlow Playhouse Theatre and Stratford Circus, both Artistic Directors Kumiko Mendl and Maria Oshodi spoke to us about the creation of the show.

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Starting life as a 5 minute play, Daniel York’s Forgotten has been many years in the making. A response to the lack of acknowledgement given to the tremendous effort aiding Britain’s and the Allies’ WWI victory, Forgotten places at the forefront the 140,000 Chinese labourers who sacrificed their lives in the hopes of escaping their current regime. The title, Forgotten speaks of many who have disgracefully been written out of the history books, a common thread often witnessed within significant Western texts. A much needed historical lesson, the production looks to highlight an alternative perspective of an event we are so often used to being presented in a particular manner. November 2018 marks the centenary of the war’s ending, making this a very timely piece. Daniel tells us more about the show’s creation and what to expect! 

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Yellow Earth are a theatre company renowned for their championing of diverse voices from the East Asian community. In their 22nd year, they continue to blaze the trail, broadening the range of characters represented on stage. Having worked with original Yellow Earth founding member Kumiko Mendl to develop her piece, ‘Zen’, Joyce Lee discusses how she’s crafted the show, the importance of speaking out about mental health and whether there are enough strong female protagonists represented on stage…

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Yellow Earth Theatre was formed in 1995 by five British East Asian* (BEA) actors; Kwong Loke, Kumiko Mendl, Veronica Needa, David KS Tse and Tom Wu.The company sought to develop work that would widen the choice and type of roles being offered to BEA actors at that time and to create work that brought together our physical skills and western drama school training that explored our own cultural heritage.

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