Brian Friel‘s classic 1980 play, set in a Irish hedge school in 1830’s rural Donegal subtlely intertwines themes of language, culture and memory with well drawn characters and some deft dramatic devices. Ian Rickson’s simple yet expansive production for The National’s Olivier theatre skillfully illuminates this well trodden masterpiece of British playwriting, offering an engaging, resonant and well rounded theatrical experience.
Courtesy of Catherine Ashmore.
Roy Mullarkey’s new play tackles ideas of leadership and heroism. This is the second time this year that in the Oliver a young male writer has attempted to tackle folklore and myth. Mullarkey feels out of his depth. This play doesn’t have the same slickness as his Royal Court comedy, The Wolf from the Door.
Courtesy of Johan Persson.
Celebrated writer Inua Ellams is renowned for his thought provoking works, creating narratives strongly influenced by his Nigerian roots. Barbershop Chronicles follows suit, highlighting the significance of Barbershop culture within African culture.
Courtesy of The National Theatre.