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Theatrefullstop - A world of Theatre at the click of a button
Home, Reviews

Our Country’s Good @ Theatre Royal Stratford East Review

Ramps On The Moon speak volumes with their ability to make the powerful drama Our Country’s Good accessible to D/deaf and disabled theatre lovers whilst still maintaining the standard of a mainstream production. Fiona Buffini’s direction cleverly embellished the action with British Sign Language throughout, and the wonderfully diverse cast,  including D/deaf and disabled actors, was extremely emotive in both their vocal and physical expressions.

Nottingham Playhouse

The energised and captivating sign language is performed by either the speaking actor themselves or by another character in the scene (which takes a minute or two to grasp, yet the complexity certainly adds a creative dynamic). For an audience member who does not know the meaning of the gestures (like myself) it is not a hindrance, but instead a fascinating extension on the actors’ expression (and an impressive one at that).

This uplifting story, in which a play helps the officers and prisoners to release the chains of judgement and regain their sense of humanity, is not to be missed. The show holds a strong structure and does not include any unnecessary spectacles (no ground breaking over rehearsed cheesy-ness), instead the story is allowed to blossom organically and the text has the focus it deserves.

Although this production is impressively unique, it is not flawless. The opening is slow, with the movement of the chorus of prisoners being perhaps too improvised and slightly aimless. Transitions are of a simple nature and often bring the audience out of the world, however it would not be long til they are again drawn in by the following scene. Officer Ralph, eager to direct the cast of prisoners, is played by the slightly hammy Tim Pritchett. His love for the gentle prisoner Mary Brenham, played by Sapphire Joy with a perfectly shy demeanour, and her love for him is not well established, causing their affair to seem sudden and fake, whereas the relation between Mary and John Wiserhammer, who is brilliantly portrayed by Tom Dawz is beautifully honest and moving for the audience.

Filled with moments of suspense, comedy, heartbreak and hope Ramps on the Moon have brought us tears and laughter with this original production Our Country’s Good and prove, yet again, how inclusive theatre can and should be.

Review written by Lauren Maxwell.

Our Country’s Good is currently showing until Saturday 5th May 2018 at the Stratford East Theatre Royal. To find out more about the production, visit here…

29th April 2018by Theatrefullstop
Home, Reviews

The Bubbly Black Girl Sheds Her Chameleon skin @ Theatre Royal Stratford East Review

We now find ourselves living in an era where race relations has become a crucial topic to discuss. Injustices that have taken place due to race are now being recorded and are sending shockwaves through worldwide media. We no longer live in a time where we wait for the latest headlines via the news or physical publications, rather we ourselves break news, with the click of a button in a matter of seconds becoming viral. The Bubbly Black Girl Sheds Her Chameleon Skin although set in the 60s, 70s and 80s taps into today’s consciousness.

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7th March 2017by Theatrefullstop
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Actor Ashley Joseph talks about his latest role in The Bubbly Black Girl Sheds Her Chameleon Skin!

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7th March 2017by Theatrefullstop
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Whose Sari Now @ Stratford East Theatre Royal Review

As you walk into the space you are greeted like a guest in an old Asian aunties house; she jokes about not having bhaji’s to pass around and makes you feel comfortable about where to sit. By breaking the fourth wall immediately the audience is at ease with each other and the space feels safe for the incredible journey we are all about to embark on.

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3rd January 2017by Theatrefullstop
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Sinbad the Sailor @ Stratford East Theatre Royal review

Deriving from the Middle Eastern and Southern Asian collection of folklore and mythical stories One Thousand and One Nights, Sinbad the Sailor is the legendary tale of a fictional voyager driven by his appetite for adventure and discovery. A tale that perhaps is not necessarily associated with Pantomime, Stratford East Theatre Royal continue to do what they do best; challenging the norm.

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Courtesy of Stratford East Theatre Royal

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27th December 2016by Theatrefullstop
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The Hotel Cerise @ Stratford East Theatre Royal Review

Bonnie Greer is known for being controversial, outspoken and current.
Her vision is to explore a class that isn’t written about enough; The black elite.
The Hotel Cerise (Cherry in French) is a summer resort created exclusively for affluent African Americans in the 1920’s. img_0031

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27th October 2016by Theatrefullstop
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Triple Bill @ Stratford East Theatre Royal Review

A company trail-blazing in the art form of ballet, Ballet Black have enjoyed over a decade of critical acclaim. Really helping to shatter the perception of ballet being; in terms of who can dance it and who can watch it, Ballet Black add soul, strength and a unique interpretation to the genre.

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25th October 2016by Theatrefullstop
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The House Of In Between @ Theatre Royal Stratford East Review

A creative and colourful blend of defined choreography merged with eye catching set and staging, The House Of In Between at the Theatre Royal Stratford East takes theatregoers on a trip through classical Indian art and culture. Allowing one to engage freely in this rather sensitive story of transgender dress and at the same time learning how tradition (as well as family ties) can affect the journey these individuals take in identifying themselves.

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19th April 2016by Theatrefullstop
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Labels @ The Stratford East Theatre Review

Labels is exactly what it says on the tin. Identifying how we as humans label each other by race, sexuality, gender and in fact losing a sense of how these judgements have an impact on the world around us; or in most cases the victims of this abuse.

Labels

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10th April 2016by Theatrefullstop
Competitions, Home

Win tickets to Janis Joplin: Full Tilt at Stratford East Theatre Royal!

Considered to be one of the most influential and iconic voices of the late 20th century, Janis Joplin’s soulful, yet rock fuelled vocals are described as being one of the most original to grace the music industry to date. Reigning supreme in the late 60s and early 70s with hits such as “Piece of my heart”, “Down on Me” and “Cry Baby”, Joplin’s legacy lives on; a Rock and Roll Hall of Famer, the multi talented singer-songwriter’s influence is encapsulated in the award winning Janis Joplin: Full Tilt! 

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30th January 2016by Theatrefullstop
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