Family for all of us takes on a very personal meaning, our view of the family construct differing from the next person. Drawing on her views of sisterhood, arguably one of the strongest familial bonds, writer Esohe Uwadiae presents She is a Place Called Home; a considered portrait of a bond tested by the expectations of their mother as well as their proud domineering father.
Being bicultural, you often find that you’re constantly observing the world through two lenses; quietly balancing two cultures side by side whilst trying to figure out your very own identity. Drawing on her very own experiences of being both Nigerian and British heritage, writer Esohe Uwadiae presents She Is A Place Called Home, an exploration of having dual nationalities and sisterhood. Ahead of the show’s performances, Esohe speaks to us about taking part in this year’s Vault Festival, having the show developed as part of VAULT Festival’s New Writers Programme and offers advice to aspiring playwrights!
In light of our current political climate, we’re left questioning what the future holds – a nation built on the efforts of many cultures, revealing deep rooted tensions heightened by our current political head of state. Migration is the root of all of our stories, whether directly or indirectly; the universality of migration a complex facet of our lives. Exploring this further in her current show NOTCH, writer and performer Danaja Wass draws from her own personal story of leaving Croatia to start a new life in Ireland for a better future. Ahead of the run, Danaja talks to us about exploring the show’s themes, how she approached creating the show and what audiences can expect.
Santi & Naz
Under the rumble of the Waterloo train tracks we meet Santi & Naz, two young girls living in India during pre-partition. These best friends are none the wiser to their political situation and with Santi being Sikh and Naz being Muslim, the threat of separation is approaching. When Naz is introduced to her soon to be much older husband, Santi is concerned for her safety and tries to warn her of the dangers of not just this man but of the violence that is happening all around them. In their childhood fashion they create a plan to escape the marriage which ends in disaster.
Drawing parallels with our current societal landscape where we’ve witnessed youth violence on the rise, writer and performer Kalungi Ssebandeke travels back in time to Georgian England to give voice to little known boxing superstar Bill Richmond. Created as part of his drama school training, Kalungi presents Black Terror at this year’s Vault Festival from 28th January until 2nd February. Ahead of the run, Kalungi tells us more about exploring Bill Richmond’s narrative, what audiences can expect and what his plans are for the show post Vault Festival!
Iskandar R. Sharazuddin’s Silently Hoping taps into the topic of ‘duality’ – being of mixed raced heritage and questioning cultural identity. The concept of identity is a complex one, something that will continually be explored within wider conversations. Drawing from his Southeast Asian-British identity, Iskander looks to explore this crucial topic. Ahead of Silently Hoping‘s run at this year’s Vault festival, Iskander talks to us about his approach towards creating the show, working with director Mingyu Lin and the show’s plans beyond Vault festival.
It can so often feel that those that have gone before us wouldn’t have at all understood what perhaps we’re going through now, and vice versa. It can so often feel that historical greats, are in fact so great, that the normal day to day wouldn’t have phased them at all. However, what history books tend to leave out is the fact that these were normal people, just like us, who just so happened to change the face of our history. Cue Helena Westerman and Caroline Simonsen’s ‘Galvanise’; a show connecting the lives of three modern day teens and influential female historical figures. Ahead of this year’s Vault Festival, both Helena and Caroline talk about working together, integrating animation and following their debut hit show ‘An Act of Kindness’.
“We are part of the last generation to remember life before widespread internet access” – expresses Dean Elliott, co-founder of theatre collective New Public; a sentiment ringing true for many of us. There’s no doubt that we now live in an age of media excess; news now accessible by the click of a button, whether that be on a smartphone, laptop, TV, tablet… the list goes on. A swift generational shift, we’ll soon forget those days where we depended solely on print and TV to find out the latest global goings on, a time where we could escape the media at our own choosing. Dean talks to us about the ‘relentless media machine’ as New Public prepare to perform their topical show ‘White Noise’ at this year’s Vault Festival!
Conversations surrounding mental health are, quite rightly so receiving greater prominence within the wider society; however, there’s still a long way to go in terms of perceptions held, particularly from a generational stand point and how we continue to tackle this very complex humanistic topic, especially in terms of services provided. Amy Guyler’s ‘Digging Deep’ addresses the upsetting truth of the rise of suicide in young men, in particular within working class backgrounds. A timely show that will no doubt resonate with audiences, director Alistair Wilkinson takes on the production at this year’s Vault Festival. Ahead of the show, Alistair speaks to us about addressing the show’s important themes, what he’s learned from directing the show and teaming up with the mental health charity CALM who will be offering support after each showing.
