Maggie Bain captures the audience from start to finish in this one woman show. Her ability to seamlessly swap between characters and accents has me hanging on her every word. The intrinsic lighting and set of Man to Man allows the performance and production to come together perfectly.
Courtesy of The Northern Stage Theatre.
When I moved to London ten years ago, I experienced colour-blind casting for the first time. After a while, I didn’t even notice any more, and Trevor Nunn’s all-white production seemed somewhat strange to me because I was now used to seeing a more diverse cast performing Shakespeare’s plays. When I returned to Munich this year, I found that little had changed in Germany. Even though the population had become more diverse the German theatre was still white.
Courtesy of Münchner Kammerspiele.