Courtesy of David White

Making choices for ourselves can very often impact on the lives of those around us, even if we don’t necessarily think it. Often times we’re faced with not only thinking of what’s best for us in the short term, but what would also be of great benefit in the longer term. We try our best to make decisions that make everyone happy, but does that fulfil our own happiness? Probably not as we’re always having to compromise, however if you operate by the principle of honesty, your happiness becomes the focal point. Exploring honesty and expectations, Directors and Circus Performers Nikki Rummer and Jean-Daniel Broussé discuss their show ‘Knot’, playing throughout August at the Assembly Roxy as part of this year’s Edinburgh Festival Fringe. 

London is renowned for its thriving theatre scene, celebrated for both its West End and Off West End variety. Fringe Theatre is the home of UK talent, allowing for theatre makers to stage their works to supportive audiences. We’re home of the pub theatre; a unique environment allowing for you to grab a drink and a meal, before watching the latest production in the venue’s theatre. Based in Crouch End, Moors Bar plays host to a range of quality in house productions, music events as well as the annual Camden Fringe Festival every August. Actor turned Artistic Director Andy James tells us more about the intimate, 40 seat venue.

Courtesy of Robin Jade.

Sound is present all day, everyday, and is something we take for granted. Whether we’re engaging in  conversation and listening to the other person’s dialogue,  listening to our favourite playlists on our daily commutes, watching the latest Netflix boxset or blockbuster movie – sound is integral to our daily interactions. What musician, sound therapist, sound scientist and beatboxer Marv Radio has discovered throughout his journey as an artist is the healing power of the voice and sound. This is an ethos he utilises within his own work, and will be exploring in his latest show ‘Mantra’ showing at the RADA Studios from 16th to 18th August as part of this year’s Camden Fringe Festival. Marv tells us more about his show!

From the updating of a status, to the purchasing of products to the sending of an email, these actions are all made possible by numerous algorithms programmed to make our online experiences as seamless as possible. Algorithms silently navigate the day, manipulating the feeds we see on social media platforms to lining up prospective matches on dating apps. Daily life now tends to include the online world, a phenomenon we’ve witnessed grow at speed within the past decade and shows no signs of stopping. Exploring our online era further, playwright Sadie Clark presents ‘Algorithms’ showing at the Pleasance Courtyard at this year’s Edinburgh Festival Fringe. Ahead of the month long run, Sadie talks more about the show.

Social issues have become the main focal points of discussions had within wider society, we’re now living in an era whereby certain topics can no longer be ignored. The rate of homelessness in November 2018 has risen 4% to 320,000 people in Britain, a figure that has risen by 13,000. Our awareness of mental health has deepened, with 1 in 4 people in the UK experiencing mental health problems and 1 in 6 in England experiencing a common health mental health problem such as anxiety or depression (CALM). Exploring the isolation felt from the perspectives of the materially advantaged and disadvatanged experiencing postpartum depression in the early stages of motherhood and homelessness, writer and performer Katie Guicciardi presents  ‘Fox’, questioning our complex relationship of asking for help. ‘Fox’ will be performed from late July at the Pleasance Courtyard at this year’s Edinburgh Festival Fringe.

After the success of The Cursed Child, Jack Thorne and John Tiffany team up again. for The End of History. This time, they have focused their attention on a family based in Newbury, detailing their lives through time; first in 1997, then 2007 and finally in 2017.

Courtesy of Johan Persson.

Jack Thorne and John Tiffany are usually a dream pairing, and after having created one of the most successful cultural hits of this decade (Harry Potter and the Cursed Child), the duo reunite at The Royal Court, yet this time they create a slightly lukewarm production, which doesn’t reach its full potential.

Courtesy of Johan Persson.