Founded by former playwright and Artistic Director of Changing Spaces Theatre Heather Jeffrey, London Pub Theatres Magazine has been a champion of our unique pub theatre scene. Having staged works with her theatre company at the Drayton Arms Theatre (Kensington), Old Red Lion Theatre (Islington), VAULT Festival (Waterloo), St Paul’s Church (Covent Garden), Cockpit Theatre (Marylebone) and Midlands Arts Centre (Birmingham), LPTM is a continuation of the celebration of new work created on our London fringe theatre stages. Having added to the revered publication with the introduction of the London Pub Theatre Awards in 2018, the LPTM team now look to expand their pool of reviewers and are inviting you to be a part of the next phase of their journey!
Childhood is where we often establish life long friendships, a formative aspect of our lives, the school setting offers an integral opportunity to not only learn, but socialise. From a young age, we also begin to pick up on societal cues, cues that determine our life paths and shape daily interactions. Having debuted their production Playfight last year, Orisun Productions, consisting of producer Shereener Browne and director Leian John-Baptiste present an examination of the corrosive way in which racism determines the direction Black lives take, the show following best friends Kai, TJ and Zara who initially inseparable encounter change that challenges this. Currently playing at Theatre Peckham as part of their fringe festival, Shereener and Leian tell us more about the show’s pertinent topic, taking part in the inaugural Peckham Fringe Festival and what audiences can expect!
Within the past decade, the face of food delivery has shaped how we dine at home, food delivery apps our new normal, delivery drivers now a staple on our streets, with food now accessible at the click of a button. Inspired by his own experiences within the service and delivery jobs sector, writer Max Wilkinson created show Rainer during the initial 2020 lockdown, an unpredictable time period that would place a higher demand on the delivery sector. Rainer explores the experiences of the eponymous solitary bicycle delivery driver as she whizzes across London in response to demand, placing her much needed voice centre stage. Currently playing at the Arcola Theatre, Max tells us more about exploring his own personal experiences further, the show’s two year creative process and working with his fellow team to realise the show!