The topic of fertility affects all, yet it’s a topic that we only now find ourselves starting to openly discuss. Everyone has their own personal stories and journeys, a multitude of experiences still yet to explore and learn from. Inspired to curate a festival addressing this often taboo subject, co-founders of Fertility Festival 2019 Jessica Hepburn and Gabby Vautier talk about this year’s emphasis on discussing the modern family, what audiences can expect from this year’s line up and how societal conversations have shifted towards raising awareness on the multi-faceted topic.

Showing at The Peacock Theatre from late January Tango Fire will once again witness internationally renowned dancer and choreographer Germán Cornejo showcase the history of the world famous Argentine Tango. Joined by celebrated dancer Gisela Galeassi, they will both showcase a new solo piece and other breathtaking sequences!

The rights of women and young girls will continue to be a talking point and an issue continually fought for until equality has truly been achieved. Roughly ’15 million girls are married every year before they reach 18 years old, 1 in 3 girls in the developing world are married by age 18 and 1 in 9 married by age 15′ (stats provided by charity Girls Not Brides). These stats are horrifying to be reading in 2019 but sadly, a disheartening reality globally.

Director Christopher Rüping had always felt detached from ancient Greek drama. The chorus, the language, and the role of fate created an artificial world that had nothing to do with our reality. When watching Greek drama, he found that he began to be engaged by the play only when it was almost over. When those dramas were written, they were presented at the Dionysia, a drama competition (Agon) that went on for five days. Dionysia were ecstatic festivals with free wine and free food, starting early in the morning and going on until late at night. Christopher Rüping knew he could not recreate the Dionysia but he decided to be bold and to present a tetralogy, composed of three dramas and one satyr play. Ten hours of theatre would allow his antique drama to unfold.

Courtesy of Julian Baumann.

Returning for its 7th annual outing, The Vault Festival promises as ever to offer its ‘biggest, boldest and bravest’ programme to date. Comprising of over 400 shows and consisting of more than 2,000 artists, the 8-week long festival will bring to you a mixture of theatre, comedy, cabaret, live performance and late night parties. Taking place at The Vaults in Waterloo, you’ll be spoiled for choice!

Soho Theatre has been at the forefront of discovering the UK’s top theatre and comedy talent for years; with various alumni having gone on to establish successful careers within the arts. Having completed a successful run at this year’s Edinburgh Fringe Festival, Soho Theatre favourite Archie Maddocks returns with his latest stand up show, Matchstick. Performed as part of this year’s Soho Rising Festival, a festival celebrating new writing, Archie tells us more about the show…

Hi Archie, you’ll be showcasing your latest stand up show Matchstick as part of Soho Theatre’s Soho Rising Festival on Friday 14 December. How are you feeling ahead of the show?

Pretty good. The show is good so I’m feeling confident that it will go well – just need to remember the damn thing!

There’s more than just euphemism to unpack in Ellie Kendrick’s Hole at the Royal Court. Featuring an electric line up of actors, burlesque babes and music artists- fierce, fabulous women are aplenty. Running at 60 minutes, Kendrick’s writing debut bubbles with rage and spits in the eye of patriarchy.

Courtesy of The Other Richard.

Providing visitors news, reviews and interviews on or with the UK’s brightest talents on stage and screen as well as behind the scenes, The British Blacklist has championed the contributions of black British creatives for the past 6 years. Its founder, Akua Gyamfi has helped to craft a movement that very rightfully has gone from strength to strength. Here, Akua discusses what inspired the site’s creation, accessing press opportunities that initially wouldn’t have been made available and suggests theatre creatives and events to look out for!

Hi Akua, you’re the founder of influential website The British Blacklist. What inspired you to create the resource?

An indulgent dinner with Dionysus is always going to be a hard invite to turn down but I really did get lucky – proverbially – when I picked one of the show’s two clothing optional dates in November.