Writer Tim Cowbury and Director Mark Maughan’s The Claim observes the process of a migrant seeking asylum, a topic we assume although we hear lots about, we know about; yet many of us couldn’t begin to even imagine the pressure of awaiting our fates by a nation completely new to us. The time we live in is incredibly divisive, immigration a top talking point in many a debate, and a talking point that will remain for years to come, due to its complexity. Drawing from a 2 year research process, exploring this topic in  further detail, Tim and Mark discuss their timely production, currently showing at this year’s Edinburgh Festival Fringe.

What do you immediately think of, when you think of the term ‘witch’? Archaic? Witch hunts? Trials? Potions? The list is endless, however evokes a certain feeling of fear and destruction. Defined as ‘A woman thought to have magic powers, especially evil ones, popularly depicted as wearing a black cloak and pointed hat and flying on a broomstick’ (Oxford Dictionary) this very labelling of women throughout history within societies has accumulated an atmosphere of fearing those who perhaps do not conform to the gender roles established by patriarchal communities, and has witnessed the creation of damaging divides. Addressing this troublesome societal issue throughout the ages, theatre company Incognito present The Burning – an exploration of gender non conformity within the patriarchal construct. Ahead of their performances at the Pleasance Courtyard, Edinburgh, Director Roberta Zuric tells us more about the show. 

It was recently reported that ‘centuries of domestication have radically reshaped dog’s eyebrow anatomy, making their faces easily readable to people (National Geographic)’. Honeyguide birds in Mozambique have been found to understand humans, guiding hunters looking for bees’ nests only after they’ve heard a certain trolling sound from them. There’s a long way to go in terms of fully understanding the communication signals/patterns of numerous species, but what’s exciting is that we’re beginning to witness how, if discovered, humans and animals can love side by side and work together without miscommunication or danger. Performer and Theatre Maker Pete Lannon explores ideas of human/animal love and communication in SUPERFAN’s production of Like Animals. Showing as part of this year’s Edinburg Festival Fringe at Summerhall throughout August, read on to find out more about the show.

E–commerce purchasing has significantly disrupted our shopping habits, many of the high-street giants turning to the web to reach audiences they perhaps wouldn’t be able to due to location. The rise is a sign of our times, and shows no signs of slowing down. Amazon, perhaps the world’s most famous and wealthiest e-commerce site has rivalled its competitors due to the variety in products it offers, it’s easy to use site and its infamous ‘prime’ delivery option, whereby customers can receive their goods the following day. But what goes into this seamless monetary exchange? How can, compared to any other retail business, can Amazon provide this service? Kezia Cole and Richard Hay’s Fulfilment delves into the real experiences of those who work behind the scenes in Amazon Fulfilment Centres, giving a voice to the hard workers behind the multi-billion dollar business who present a harsh reality. Fulfilment shows throughout August at Undrbelly Cowgate as part of this year’s Edinburgh Festival Fringe Festival. Read on to find out more about the show!

Courtesy of David White

Making choices for ourselves can very often impact on the lives of those around us, even if we don’t necessarily think it. Often times we’re faced with not only thinking of what’s best for us in the short term, but what would also be of great benefit in the longer term. We try our best to make decisions that make everyone happy, but does that fulfil our own happiness? Probably not as we’re always having to compromise, however if you operate by the principle of honesty, your happiness becomes the focal point. Exploring honesty and expectations, Directors and Circus Performers Nikki Rummer and Jean-Daniel Broussé discuss their show ‘Knot’, playing throughout August at the Assembly Roxy as part of this year’s Edinburgh Festival Fringe. 

London is renowned for its thriving theatre scene, celebrated for both its West End and Off West End variety. Fringe Theatre is the home of UK talent, allowing for theatre makers to stage their works to supportive audiences. We’re home of the pub theatre; a unique environment allowing for you to grab a drink and a meal, before watching the latest production in the venue’s theatre. Based in Crouch End, Moors Bar plays host to a range of quality in house productions, music events as well as the annual Camden Fringe Festival every August. Actor turned Artistic Director Andy James tells us more about the intimate, 40 seat venue.

Courtesy of Robin Jade.

Sound is present all day, everyday, and is something we take for granted. Whether we’re engaging in  conversation and listening to the other person’s dialogue,  listening to our favourite playlists on our daily commutes, watching the latest Netflix boxset or blockbuster movie – sound is integral to our daily interactions. What musician, sound therapist, sound scientist and beatboxer Marv Radio has discovered throughout his journey as an artist is the healing power of the voice and sound. This is an ethos he utilises within his own work, and will be exploring in his latest show ‘Mantra’ showing at the RADA Studios from 16th to 18th August as part of this year’s Camden Fringe Festival. Marv tells us more about his show!

From the updating of a status, to the purchasing of products to the sending of an email, these actions are all made possible by numerous algorithms programmed to make our online experiences as seamless as possible. Algorithms silently navigate the day, manipulating the feeds we see on social media platforms to lining up prospective matches on dating apps. Daily life now tends to include the online world, a phenomenon we’ve witnessed grow at speed within the past decade and shows no signs of stopping. Exploring our online era further, playwright Sadie Clark presents ‘Algorithms’ showing at the Pleasance Courtyard at this year’s Edinburgh Festival Fringe. Ahead of the month long run, Sadie talks more about the show.