Currently debuting her latest show curious, a show exploring the lives of two young, Black, queer actresses trying to find out who they are, award winning writer Jasmine Lee-Jones returns, this time, to the Soho Theatre until 16th October. Establishing the show’s visual aesthetic, co-set and costume designers Camilla Clarke and Rosie Elnile tell us more about working with the show’s themes to realise the visual language, challenges faced in doing so and what they’ve taken away from working on the show!
Having identified a need for a theatre venue supporting new writing and working class artists, Olivier award-winning theatre producer Jamie Eastlake and filmmaker Stephen Robertson have established Laurels Theatre, located above Laurels Whitley Bay tapas bar based in Tyne and Wear. Currently into their first ever season of work, co-founder Jamie tells us more about what it means to be able to provide this integral platform for creatives and what his hopes are for the venue.
Founded in 1997 by British Nigerian actor Femi Elifowuju Jr, tiata fahodzi, meaning ‘theatre of the emancipated’, has been a leading force in regards to producing works placing the British African experience centre stage. Nearly 25 years on, their initiatives expanding on this crucial mission. Previous Artistic Director alumni including critically acclaimed actor Lucian Msamati, and current Artistic Director and CEO of the Northern Stage Theatre Natalie Ibu. Leading tiata fahodzi into their next chapter, critically acclaimed theatre and screenwriter Chinonyerem Odimba has recently announced a new Executive Director and Board of Trustees. Chinonyerem Tells us more about the appointment and what her hopes are for the theatre company moving forward.
Exploring her own personal experiences of being misunderstood for her learning disability, writer and performer Charlene Salter, in collaboration with Access All Areas present The Interrogation, a bespoke interactive audio experience also drawing on real life cases of learning disabled people unfairly criminalised. Having already toured Greenwich + Docklands International Festival, The Marlowe, The Lowry, Tobacco Factory Theatres, the experience will also show at Battersea Arts Centre and Rich Mix. Charlene tells us more about exploring this important topic via audio technology.
The third text in a trilogy of Theban plays written by Sophocles, Antigone proceeds from the aftermath of the Thebes’ civil war, a war that would consequentially witness the deaths of brothers Eteocles and Polynices – two powerful forces leading opposite sides of combat. Eteocles honoured, Polynices shamed by the newly crowned king of Thebes, Creon. Exploring the Ancient Greek text further in a newly adapted production by Merlynn Tong, with direction by Dawn Walton OBE, performer Wendy Kweh talks about taking on the role of Creon, a role traditionally played by a male. Ahead of the production at the Mercury Theatre, Wendy tells us more about what to expect.
Courtesy of Ami Robertson.
Power forms a significant part of our lives on both an individual and collective level, a fascinating entity shaping our daily interactions with one another. Born in 2016, after reading a piece in which the topic of power appeared to form the full stop of a larger conversation, cultural thinker and researcher Suzanne Alleyne was inspired to draw on this phenomenon further. Her ongoing research project The Neurology of Power, focusing on the neuroscience behind power. Feeding into this research project, Suzanne, alongside the Barbican Theatre present talk series Can we talk about Power?, a series comprising of various discussions with a distinguished panel of neuroscientists and creatives. Ahead of the event, Suzanne tells us more about what to expect.
The Imison Award – awarding the best original script by a writer new to audio drama and the Tinniswood Award – awarding best original script of the year are both currently open for submissions. Forming part of the prestigious BBC Audio Awards, previous winners of the Imison Award include Fraser Ayres for Maynard (2020), Lulu Raczka’s A Lifetime(2019) and Adam Usden’s The Book of Yehudit(2018), and of the Tinniswood Award, Christopher Douglas for Tristram Shandy (2020), James Fritz’s Comment Is Free(2017) and Julian Simpson’s Fugue State (2016). Society of Authors continue on with their aim of supporting and celebrating audio drama writing talent. Ahead of the deadline which falls on Sunday 3rd October, Society of Authors tell us more about both awards.
Formed with the hopes of creating a network of first generation migrant theatre makers based in the South East of England, Dr Mary Mazzilli, from the University of Essex’s Department of Literature, Film, and Theatre Studies has joined forces with Professor Renee Luthra – Sociology, Senior Research Fellow Dr Alita Nandi at the Institute for Social and Economic Research, with the support of theatre advocacy group Migrants in Theatre present the Global Theatre Pioneers South East Project. This is a collaborative initiative funded by the Economic and Social Research Council (ESRC) through its Impact Acceleration Account (IAA), creating a crucial much needed platform for creatives. Starting with a survey, which is currently live to complete, Dr Mary tells us more about the pioneering and ambitious project.
Officially established in November 2014 by co-founders Tessa Hart and Rebecca Pryle, The Bread and Roses Pub Theatre, based in Clapham, has continued to fulfil its commitment of supporting new writing and emerging theatre companies and artists. Having received a 2020 commendation for ‘Pub Theatre of the Year’ from the London Pub Theatre Awards and an award from The International Centre for Women Playwrights Award three years in a row (2015, 2016 and 2017), the venue has proven just how vital the work they do is. Currently under the leadership of Artistic Director Velenzia Spearpoint and due to stage the sixth edition of the Clapham Fringe Festival, taking place from the 22nd September until 10th October, the Bread and Roses Pub Theatre tell us more about what to expect from this year’s event!
the dream(ing) field lab. Photo by Flannery Miller.
Over a month until the COP26 Climate Conference in Scotland, and the arts have continued to contribute their responses to the urgent call for climate action. Artsadmin’s What Shall We Build Here festival a continuation of this, taking place from the 8th to 12th September in East London. Presenting another garden (will be our city), dream(ing), co-created by Jennifer Farmer and Zoe Palmer, the installation re-visions the relationship between women and femmes of the African Diaspora and the land in the context of climate breakdown. Ahead of their installation on Sunday 12th September, dream(ing) field lab tell us more about what to expect!