Easily the best play I’ve seen this year, STARS is orgasmic in that it’s joyous, sensational and you really don’t want it to end. Mojisola Adebayo is giving us queer, working class, postcolonial, feminist afro-futuristic theatre, a genre I didn’t think could exist, but this is what this play is capable of, new frontiers and my goodness is it delightfully radical too. I savoured every second, from the moment I sank into the beanbags at the ICA to the musical interludes directed by Debo Adebayo. You can watch the sibling duo here chatting through their influences growing up and the vision behind creating STARS, “a concept album on stage” born on a night out in Dublin.








Ramps on the Moon is changing the arts and culture sector by elevating the presence of deaf and disabled people into the heart of theatre, on and off stage. Michèle Taylor, Director for Change, co-founder of Ramps on the Moon and UK leader on Disability Equality, has launched her first podcast series where she delves deep into mainstream theatre to discover what the realities are now, and what the future holds for disability equality in the arts.
Societally, we’re making strides to better represent stories told from varied perspectives, a notion that’ll continue to grace our tv screens and stages, and one that’ll continue to enliven our media landscape in this new era. Currently on season 2 and available to stream on HBO, crime drama Perry Mason has enthralled viewers – set in 1930s LA, the show follows the eponymous defence lawyer as he navigates his way through the fractured city as he uncovers unpleasant truths. Currently starring as Mateo Gallardo, actor Peter Mendoza tells us more about preparing for the role, the importance of Latino representation and what we can expect from this season!
