The Jamie Lloyd Company today announces the on sale dates for its new production of Shakespeare’s Much Ado About Nothing starring Tom Hiddleston (Benedick) and Hayley Atwell(Beatrice), directed by Jamie Lloyd. The production opens at Theatre Royal Drury Lane on Wednesday 19 February, with previews from 10 February, and runs until 5 April 2025.

Tickets for Much Ado About Nothing go on sale to those signed up for priority booking on Tuesday 8 October at 11am; general booking opens on Wednesday 9 October at 11am. Full cast and creatives to be announced.

Sign up for priority booking here or here. 

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The Jamie Lloyd Company today announces the full cast for William Shakespeare’s The Tempest at Theatre Royal Drury Lane. Directed by Jamie Lloyd, The Tempest opens on Thursday 19 December, with previews from 7 December 2024, running until 1 February 2025.

Sigourney Weaver (Prospero) is joined by Jude Akuwudike (Alonso), Jason Barnett (Stephano),Selina Cadell (Gonzalo), Mathew Horne (Trinculo), Mara Huf (Miranda), Forbes Masson(Caliban), Mason Alexander Park (Ariel), James Phoon (Ferdinand), Oliver Ryan (Sebastian) and Tim Steed (Antonio).

The Tempest is the first production in The Jamie Lloyd Company’s season of Shakespeare at Theatre Royal Drury Lane; it is followed by Much Ado About Nothing starring Tom Hiddleston(Benedick) and Hayley Atwell (Beatrice). Also directed by Jamie Lloyd, Much Ado About Nothing opens on Wednesday 19 February, with previews from 10 February, and runs until 5 April 2025. On sale dates and full cast and creatives to be announced.

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After Der Fall Meursault – Eine Gegendarstellung and The Assassin, Iranian director Amir Reza Koohestani returns to the Kammerspiele with his own version of the Scottish play.

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The Union Theatre’s Romeo and Juliet by William Shakespeare and directed by Andy Bewley is tackling the subject of homosexuality within sport head on, and is showing us that Shakespeare is still relevant in the 21st century.

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Adapted from the 1998 Oscar winner, Shakespeare in Love is the latest screen to stage production to hit the West End. The story imagines William Shakespeare writing Romeo and Juliet. In auditions for his new play he meets and falls in love with Viola, who disguises herself as a boy so that she can fulfil her dream of acting. It is a warm romantic comedy of errors come drama. The merits of the film version make it clear to see why it would make an excellent transfer to stage.

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