Courtesy of Foteini Christofilopoulou.
Seeking inspiration from the ancient Egyptian tale Sinuhe the Warrior King, celebrated writer and poet Ben Okri OBE presents Changing Destiny, an adaptation of the 4,000 year old poem. Having helped shape the show’s movement element and aesthetic, movement director Rachael Nanyonjo, whose credits include the National Theatre, BBC, Sky Arts amongst others, tells us more about what drew her to take part in the production, how she’s approached creating the show’s choreography and what she’s taken away from the process.
Hi Rachael, Ben Okri’s Changing Destiny will be showing at the Young Vic from late July. How are you feeling ahead of the run?
We have all, as a team, been working really hard to bring this story to life. Making work coming out of the pandemic is not an easy thing, however, it has allowed us to examine our practices and processes in order to work more productively. I am feeling very excited for audiences to experience what I believe is a really innovative production and piece of storytelling.
During the first two weeks of November this year, over 190 world leaders will arrive in Scotland for the COP26 climate summit with the objective of tackling climate change. Leading up to the event, various organisations have organised initiatives in response to the urgent topic. Responding with their #CreateCOP26 initiative inviting creatives from across the world to submit work highlighting the impact of climate change, Art Partner – an online multi-disciplinary art resource will award 8 finalists cash prizes with 20 receiving honourable mentions and a feature in their virtual exhibition. Ahead of the summit, Art Partner President Amber Testino tells us more about her hopes for the initiative and receiving support from UNESCO Regional Bureau for Science in Latin America and the Caribbean.
With theatres returning to live audiences again, we emerge from the pandemic with a new hybrid approach – shows becoming increasingly accessible to watch online. Recognising a gap in the market for theatre online, Marquee TV was launched in 2018, a platform showcasing dance, opera, theatre, music and live performance from some of the world’s most recognised organisations including the Royal Shakespeare Company and the Royal Opera House. Currently available to access online, as well as on App Store, Google Play, Apple TV, Fire TV amongst others, co-founder Simon Walker tells us more about what to expect from the platform.
An era within theatre focusing on voices and perspectives often unheard, we’re witnessing important conversations, movements and art works responding to this need for representation on our stages. Told through a Black queer femme lens, babirye bukilwa’s production cake places the stories of the show’s two protagonists centre stage. Currently showing at Theatre Peckham until Saturday 7th August, the show’s director malakai sergeant tells us more about what inspired them to take part in the production, realising the show’s visual language with filmmaker and photographer Seye Isikalu and the importance of creating the production with an all Black and majority queer team.
