A story which needs telling and compelling in its unique way, Five Years is almost the powerful monologue it could be. While it may allude to some prevalent themes, Five Years leaves a lot untouched where it may have benefit from some fleshing out.
A story which needs telling and compelling in its unique way, Five Years is almost the powerful monologue it could be. While it may allude to some prevalent themes, Five Years leaves a lot untouched where it may have benefit from some fleshing out.
In a world where statistics show that one in three young people suffer from mental health issues, Reasons to Stay Alive challenges the way we visualise depression and anxiety, and shares honestly what an individual must overcome to find inner peace.
Can a place ever be home without a connection to family and roots? asks Rukhsana Ahmad’s current show Homing Birds. Focussing on Saeed’s story, we learn about the journey of many Afghan refugees forced to flee their homeland to avoid the dangers they find themselves confronted with; a heartbreaking repercussion of this being the disconnection of families and roots. How can one even begin to trace their own history having lost that connection? Homing Birds will play at Tara Arts from late November for a limited run; ahead of the performance, Rukhsana tells us more about what inspired her to write this story, how she approached creating the show and working with Kali Theatre Company to develop this from a scratch performance first shown in their War Play season in 2017 into a full length production.
Certain Blacks return with their latest festival, ‘Circus Circus Circus’, a mixed programme of live art, spoken word, jazz, opera and circus. An eclectic performance line up, Certain Blacks continue on their mission to showcase works exploring themes via various theatrical forms. Bringing his latest show London Art Collective to Rich Mix London on Saturday 9th November, jazz flautist, musical arranger and composer Rowland Sutherland’s show is an exploration of ‘spatial, galactic and spiritual jazz’. The evening will see him joined by a collective of talented musicians, Rowland tells us more about the show!
This play will loom in your conscience with uncomfortable truths and disturbing tension in hanging over the space; Brechtian without losing humanity, Evros is unavoidably relevant in its disturbing illustration of oppressive systems and dehumanisation.
Mixed performances and an unsubtle script leave Fast a little unsatisfying as it never allows itself to elaborate on the themes established without being painfully obvious. Fast never really gets off the ground in this slightly unengaging, confused story about manipulation and coercion.
For the past 5 years, arts development organisation Certain Blacks have curated various festivals supporting a range of theatre voices. Diversifying our industry, they ‘present art from the margins [and bring them] into the mainstream’. Their latest offering, ‘Circus Circus Circus’ showcases an eclectic line up of live art, spoken word, jazz, opera and circus and takes over Rich Mix London and Hoxton Hall throughout November. Artistic Director Clive Lyttle tells us more about curating this year’s line up, how he’s found the process of supporting artists and how artists can get involved with future events!
Certain Blacks return with their latest festival, ‘Circus Circus Circus’, a mixed programme of live art, spoken word, jazz, opera and circus. An eclectic performance line up, Certain Blacks continue on their mission to showcase works exploring themes via various theatrical forms. Bringing his and Marv Radio’s latest show Hip Hop Palace to Rich Mix London on Thursday 7th November, Dance Artist Muti Musafiri and Marv’s production is an exploration of the values of Hip Hop and how very often popular culture tends to hijack elements of it without knowing enough about the multifaceted culture. Muti tells us more about the show!
Anupama Chandrasekhar’s play is an onslaught of misogyny, violence against women and shock tactics, which leads to an unsettling, if a little glib, two hours of drama. Ibsen’s Ghosts is one of the entities that inspire the narrative, particularly focusing in this instance on a father’s sins. The true story of the girl gang-raped in Delhi, India in 2012 is another inspiration. It’s a heavy evening, filled with bold decisions and potent symbolism.
An exceptionally intimate reconsideration of hyper-masculinity, Shook is brilliantly structured in its damning condemnation of a system that leaves many without aspirations. Although it’s a little on the nose at times, Samuel Bailey and Papatango manage to present a compelling narrative of three young offenders facing unanswerable questions.