A celebration of our individualism, contrasted with the need to be a part of something far greater, Sum Im Her‘s W.A.Y (Rework), brought back to The Place Theatre after it’s original outing in 2019 explores these facets of humanity further.
Artistic Director Barbara Mundel started her first season at the Kammerspiele a year ago, right in the middle of the Covid-19 pandemic, when all theatres were closed. Productions were postponed or, if possible, streamed online. But finally, Mundel was able to present her first premiere to a live audience, a play based on Gabriele Tergit’s novel Effingers, in an adaptation by director Jan Bosse and dramaturge Viola Hasselberg. First published in 1951, the novel was not a success, but it was reissued this year and has been well received by literary critics.
Courtesy of Armin Smailovic.
Heroic prowess can come in many different guises, whether that be your everyday hero making the right decision at the right time, individuals who have shown exemplary acts of heroism, friends and family who despite hardships are there for others and get on with the day to day no matter what… the list goes on. The concept of the hero a fun yet multi-faceted one, and one that Piers Black’s Catching Comets comments on further.
The Imison Award – awarding the best original script by a writer new to audio drama and the Tinniswood Award – awarding best original script of the year are both currently open for submissions. Forming part of the prestigious BBC Audio Awards, previous winners of the Imison Award include Fraser Ayres for Maynard (2020), Lulu Raczka’s A Lifetime(2019) and Adam Usden’s The Book of Yehudit(2018), and of the Tinniswood Award, Christopher Douglas for Tristram Shandy (2020), James Fritz’s Comment Is Free(2017) and Julian Simpson’s Fugue State (2016). Society of Authors continue on with their aim of supporting and celebrating audio drama writing talent. Ahead of the deadline which falls on Sunday 3rd October, Society of Authors tell us more about both awards.
Discovered by archaeologists earlier on this year in Indonesia, in the Leang Tedongne limestone cave situated on Sulawesi Island, wall etchings dating back roughly 37,500 years have captured imagination. An animal cave painting depicting a narrative up for interpretation, it’s said that this is one of the world’s oldest known art works. Delving into this new find in their latest show Deciphering, Curious Directive, in collaboration with Indonesian artist collective Bombo, merge the old world with the new, technology a new frontier as it compliments the recent discovery’s level of scale and wonder.
Formed with the hopes of creating a network of first generation migrant theatre makers based in the South East of England, Dr Mary Mazzilli, from the University of Essex’s Department of Literature, Film, and Theatre Studies has joined forces with Professor Renee Luthra – Sociology, Senior Research Fellow Dr Alita Nandi at the Institute for Social and Economic Research, with the support of theatre advocacy group Migrants in Theatre present the Global Theatre Pioneers South East Project. This is a collaborative initiative funded by the Economic and Social Research Council (ESRC) through its Impact Acceleration Account (IAA), creating a crucial much needed platform for creatives. Starting with a survey, which is currently live to complete, Dr Mary tells us more about the pioneering and ambitious project.
Officially established in November 2014 by co-founders Tessa Hart and Rebecca Pryle, The Bread and Roses Pub Theatre, based in Clapham, has continued to fulfil its commitment of supporting new writing and emerging theatre companies and artists. Having received a 2020 commendation for ‘Pub Theatre of the Year’ from the London Pub Theatre Awards and an award from The International Centre for Women Playwrights Award three years in a row (2015, 2016 and 2017), the venue has proven just how vital the work they do is. Currently under the leadership of Artistic Director Velenzia Spearpoint and due to stage the sixth edition of the Clapham Fringe Festival, taking place from the 22nd September until 10th October, the Bread and Roses Pub Theatre tell us more about what to expect from this year’s event!
Water is said to retain memory, the ability to remember substances that have since been diluted from said water particles even after multiple rounds of dilution. A fascinating idea igniting the imagination, it’s clear just how powerful memory is within our existence. An exploration of memory and grief, The Memory of Water, written by Olivier Award Winning playwright Shelagh Stephenson, returns to the Hampstead Theatre stage 25 years after its debut.
the dream(ing) field lab. Photo by Flannery Miller.
Over a month until the COP26 Climate Conference in Scotland, and the arts have continued to contribute their responses to the urgent call for climate action. Artsadmin’s What Shall We Build Here festival a continuation of this, taking place from the 8th to 12th September in East London. Presenting another garden (will be our city), dream(ing), co-created by Jennifer Farmer and Zoe Palmer, the installation re-visions the relationship between women and femmes of the African Diaspora and the land in the context of climate breakdown. Ahead of their installation on Sunday 12th September, dream(ing) field lab tell us more about what to expect!
With an increased emphasis on the natural world around us, on a local as well as global level, we’re at a crucial point in time in terms of conversations had about climate change, questioning how best to look after our home. Observing the beauty of his hometown Kilnsea, situated in East Yorkshire, writer Tom Wells explores his locality and its vulnerabilities, recognising a need for better care. Directed by Tessa Walker, Big Big Sky is currently showing at the Hampstead Theatre. Tessa tells us more about the show’s collaborative process and what to expect!